Yasiin Bey (aka Mos Def) volunteers for standard Guantánamo Bay procedure – video

To raise awareness for the detainees at Guantánamo Bay and of one of the multitude of human rights violations at the facility, actor, musician, and activist Yasiin Bey volunteered to take part in a very disturbing procedure of being force fed. The Islamic holy day of Ramadan marks the beginning of a detainee protest, and at the detention center in Cuba more than 100 have refused to eat. Numbers vary from different sources but this “Hunger-Strike” in Guantánamo Bay includes approx. 120 inmates and more than 40 of them are being force-fed twice a day. A leaked document sets out the military instructions, or standard operating procedure, for force-feeding detainees. In this four-minute film made by Human Rights organization Reprieve and Bafta award-winning director Asif Kapadia, US actor and rapper Yasiin Bey (formerly known as Mos Def), experiences the procedure.  Watch below.

Warning: Some may find this video distressful

Update July 29 2013 - via news.yahoo.com

Rapper’s force-feeding video riles U.S. medics at Guantanamo Bay

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Reuters

Jane Sutton July 26, 2013 SocietyMos DefReprieve (organisation)
Mos Def

By Jane Sutton

GUANTANAMO BAY U.S. NAVAL BASE, Cuba (Reuters) – A video protesting force-feeding at Guantanamo Bay detention camp in which rapper Mos Def is seen struggling and weeping while undergoing the procedure has done the rounds at the Navy base. U.S. medics who perform the real thing on hunger-striking prisoners say they’re not impressed.

“It’s ridiculous. It’s 100 percent false,” said a Navy nurse known as “Ensign Lodowick” at the detainee hospital where real names are protected for security reasons.

The New York rapper-actor who also goes by the name Yasiin Bey released the video earlier this month in collaboration with Reprieve, a London-based prisoners’ rights group that represents several Guantanamo hunger strikers and which describes the force-feedings as painful, humiliating and a violation of medical ethics. (http://link.reuters.com/daz89t)

Journalists are not allowed to speak to any of the 166 captives held at the U.S. naval base in eastern Cuba nor to watch as nurses insert feeding tubes into the noses and down into the stomachs of hunger strikers who receive liquid nutrients while strapped into feeding chairs.

In accounts relayed through their lawyers, the prisoners have described rough treatment and excruciating pain.

In a series of interviews with Reuters inside the detainee hospital, Navy doctors, nurses and hospital corpsmen said most of the 44 hunger strikers they tube-feed are calm, accepting and eager to get on with what has become a daily routine.

“Most are asking us to hurry up, make it go faster,” said Lieutenant Junior Grade “Lucentio,” a Navy nurse. Most of the nametags on the staff’s camouflage uniforms are pseudonyms drawn from Shakespearean plays.

Some detainees drink the liquid meals, usually Ensure, directly from the can, the medics said. All of them eat some regular food some of the time, but in small enough quantities to maintain their status as hunger strikers and continue their protest against open-ended detention at Guantanamo, where most have been held for 11 years without charge.

“It’s a method of communication,” said Petty Officer 2nd Class Bradley, a Navy corpsman.

HUNGER STRIKE 5 MONTHS OLD

Sixty-eight prisoners are currently taking part in a hunger strike that began in February, down from 106 at the peak earlier this month. Forty-four are receiving tube-feedings, which begin when they drop to 85 percent of their ideal body weight.

Numerous medical groups have called it an ethical violation to force-feed mentally competent adults who refuse food, but U.S. courts have declined to intervene to prevent it.

The hunger strike has tapered off with a pardon for disciplinary infractions during the Muslim holy month of Ramadan, and a partial return to communal housing that allows some prisoners to pray and celebrate the end of the daytime religious fast together. It’s unclear whether the limited truce will outlast Ramadan, which ends on August 7.

View gallery.”

Mos Def performs during the "Discover Music!" event …

Hip hop artist Mos Def performs during the “Discover Music!” event at Capitol Studios in Hollywood,  …

Advocates for closure of the detention facility argue that holding prisoners for years without charge or trial is a stain on the United States. They say Guantanamo is a threat to national security because it is a powerful recruiting tool for militants.

In the Reprieve video, which has been viewed more than 5 million times in two weeks on YouTube, the rapper wears an orange jumpsuit and writhes in pain as someone attempts to insert a feeding tube into his nose. He wiggles out of a head restraint, but gives up the effort before the tube reaches his stomach, and cries.

In reality, the medics said, detainees are strapped down at the legs, waist and hands by guards, but their heads are not restrained. The slender, flexible feeding tubes are lubricated with olive oil or a pain-numbing lidocaine gel and some of the prisoners help out by swallowing them down into place. None has vomited or cried, the medics said.

Army Sergeant 1st Class Vernon Branson, a watch commander at one of the prisons, said one of his fellow guards underwent a tube-feeding to see what it was like.

“My soldier took it like a champ. He was laughing and talking the whole time,” Branson said.

Branson said he used to be a Mos Def fan but the video changed that. “I deleted his music off my iPod. I was a little upset about it,” he said.

The nurses said the tube-feeding procedure at Guantanamo is identical to that they have used on sailors and their families at military hospitals in the United States when patients can’t take solids due to illness.

Mos Def’s re-enactment was done “by the book, according to the military’s standard operating procedure,” said Clive Stafford Smith, the British lawyer and director of Reprieve.

“We didn’t do it nearly as badly as the prisoners say it’s being done to them,” he told Reuters.

The medics said they are fulfilling a professional duty to preserve life.

“I’m a nurse. I didn’t join the military to shoot people. I joined to save people,” said “Leonato,” the senior medical officer at the detainee hospital.

The medics say they don’t believe that any of their patients really want to starve to death and they won’t discuss the politics that keep them at Guantanamo.

They dismiss Mos Def as an actor playing a role but resent his depiction of their work.

“Nobody wants a tube in the nose but sometimes it’s necessary,” Lucentio said. “It’s kind of disheartening to have our job skewed as monsters.”

(Editing by David Adams and Claudia Parsons)


 

COMICS 101 – Classic – Doom Patrol

The Doom Patrol is a superhero team appearing in publications from DC Comics. The original Doom Patrol first appeared in My Greatest Adventure #80 (June 1963).[2] Writers Arnold Drake (who was the feature’s regular scripter) and Bob Haney, artist Bruno Premiani, and editor Murray Boltinoff are generally credited as the team’s creators; however, Drake insisted that Haney did no more than answer Drake’s call for help to meet the short deadline he had been given for the first story.[3] The Doom Patrol has since appeared in multiple incarnations.

The first Doom Patrol consisted of super-powered misfits, whose “gifts” caused them alienation and trauma. The series was canceled in 1968, and Drake killed the team off in the final issue, Doom Patrol #121 (September–October 1968).

In the years after this story several subsequent Doom Patrol series were launched. Each series tried to capture the spirit of the original team, but the only character constant to all was Robotman.

Grant Morrison’s Doom Patrol

Cover to Doom Patrol vol. 2, #19. Morrison’s first issue. Art by Richard Case.

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After the first 18 issues (and various crossovers and annuals), Kupperberg was replaced by Grant Morrison, starting with issue #19. Kupperberg agreed to help Morrison by writing out characters Morrison did not want to use: Celsius and Scott Fischer died before issue #18—Celsius was killed in an explosion in DC Comics’ “Invasion!” event, and Scott Fischer (already suffering from a recurrence of childhood leukemia) was the only known active superhero casualty of the Dominators‘ gene-bomb (also in “Invasion!”); Karma had left the team as he was still on the run from the law (he would eventually become a member of the Suicide Squad and die on his first mission with them in the “War of the Gods” crossover event); the Negative Spirit left Negative Woman’s body; and Lodestone plunged into a coma, where she would remain for the first half of Morrison’s run on the book. Tempest gave up fieldwork to become the team’s physician. Conversely, Morrison picked up a throw-away character from DP #14, who was slipped into the art on the last page of #18 to set up Morrison’s use: Dorothy Spinner was an ape-faced girl with powerful “imaginary friends.” The new writer introduced some new characters to the team, including the multiple personality-afflicted Crazy Jane; and sentient roadway Danny the Street.

Morrison used DC’s Invasion crossover to restart the book. He took the Doom Patrol, and superhero comic books in general, to places they had rarely been, incorporating bizarre secret societies, elements of Dada, surrealism, and the cut-up technique pioneered by William S. Burroughs and Brion Gysin. He also borrowed the ideas of Jorge Luis Borges and Heinrich Hoffmann. The original creator, Arnold Drake, said Morrison’s was the only subsequent run to reflect the intent of the original series.[12]

Arcudi_Doom_PatrolOver the course of the series, Morrison dedicated some issues to parody and homage. Willoughby Kipling led the Doom Patrol on a parody of the Brujería story arc of Swamp Thing: A Murder of Crows in issues #31-32. Issue #42 featured the origin of Flex Mentallo, who was supposed to be the character in the Charles Atlas ad. A belated lawsuit from the Charles Atlas Company showed that DC was protected under pastiche and parody law in addition to an expired statute of limitations.[13] Issue #53 featured a dream sequence that mimicked the Stan Lee/Jack Kirby Fantastic Four, borrowing plot points both from the Galactus Trilogy (FF #48-50) and FF #51, “This Man, This Monster.” Another special called Doom Force was released as a one-shot and was meant to mimic and parody the X-Force book by Rob Liefeld. Issue #45 parodied Marvel’s Punisher in a satire called the Beard Hunter.

Morrison’s approach to the book was also notable in that his villains were extremely unusual and strange, even by Doom Patrol’s eccentric standards. For example:

  • Red Jack is a near-omnipotent being who thinks he is both Jack the Ripper and God. He lives in a house without windows, torturing butterflies to create the pain he needs to survive.
  • The Brotherhood of Dada are an anarchistic group who fight against reality and reason. It features members such as Sleepwalk, who can only use her tremendous powers when asleep (she takes sleeping pills and listens to Barry Manilow before battles), and The Quiz, who literally has “every superpower you hadn’t thought of” and a pathological fear of dirt.
  • The Scissormen, a race of beings that attack non-fictional beings in the “real world” (i.e., the world the Doom Patrol live in) with their large scissor-like hands and literally cut people out of reality.

In Morrison’s final storyline, it is revealed that the Chief had caused the “accidents” which turned Cliff, Larry Trainor, and Rita Farr into freaks with the express intention of creating the Doom Patrol. He then murders Josh and unleashes nanobots into the world, hoping to create a catastrophe that will make the world a stranger and more wonderful place. However, Caulder does not anticipate being decapitated by one of Dorothy’s “imaginary” beings, a malign entity called the Candlemaker.[8]


source =)

COMICS 101 – Classic – Doom Patrol

The Doom Patrol is a superhero team appearing in publications from DC Comics. The original Doom Patrol first appeared in My Greatest Adventure #80 (June 1963). Writers Arnold Drake (who was the feature’s regular scripter) and Bob Haney, artist Bruno Premiani, and editor Murray Boltinoff are generally credited as the team’s creators; however, Drake insisted that Haney did no more than answer Drake’s call for help to meet the short deadline he had been given for the first story. The Doom Patrol has since appeared in multiple incarnations.

The first Doom Patrol consisted of super-powered misfits, whose “gifts” caused them alienation and trauma. The series was canceled in 1968, and Drake killed the team off in the final issue, Doom Patrol #121 (September–October 1968).

In the years after this story several subsequent Doom Patrol series were launched. Each series tried to capture the spirit of the original team, but the only character constant to all was Robotman.
http://en.wikipedia.org/wiki/Doom_Patrol

Grant Morrison’s Doom Patrol

Cover to Doom Patrol vol. 2, #19. Morrison’s first issue. Art by Richard Case.

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After the first 18 issues (and various crossovers and annuals), Kupperberg was replaced by Grant Morrison, starting with issue #19. Kupperberg agreed to help Morrison by writing out characters Morrison did not want to use: Celsius and Scott Fischer died before issue #18—Celsius was killed in an explosion in DC Comics’ “Invasion!” event, and Scott Fischer (already suffering from a recurrence of childhood leukemia) was the only known active superhero casualty of the Dominators‘ gene-bomb (also in “Invasion!”); Karma had left the team as he was still on the run from the law (he would eventually become a member of the Suicide Squad and die on his first mission with them in the “War of the Gods” crossover event); the Negative Spirit left Negative Woman’s body; and Lodestone plunged into a coma, where she would remain for the first half of Morrison’s run on the book. Tempest gave up fieldwork to become the team’s physician. Conversely, Morrison picked up a throw-away character from DP #14, who was slipped into the art on the last page of #18 to set up Morrison’s use: Dorothy Spinner was an ape-faced girl with powerful “imaginary friends.” The new writer introduced some new characters to the team, including the multiple personality-afflicted Crazy Jane; and sentient roadway Danny the Street.

Morrison used DC’s Invasion crossover to restart the book. He took the Doom Patrol, and superhero comic books in general, to places they had rarely been, incorporating bizarre secret societies, elements of Dada, surrealism, and the cut-up technique pioneered by William S. Burroughs and Brion Gysin. He also borrowed the ideas of Jorge Luis Borges and Heinrich Hoffmann. The original creator, Arnold Drake, said Morrison’s was the only subsequent run to reflect the intent of the original series.[12]

Over the course of the series, Morrison dedicated some issues to parody and homage. Willoughby Kipling led the Doom Patrol on a parody of the Brujería story arc of Swamp Thing: A Murder of Crows in issues #31-32. Issue #42 featured the origin of Flex Mentallo, who was supposed to be the character in the Charles Atlas ad. A belated lawsuit from the Charles Atlas Company showed that DC was protected under pastiche and parody law in addition to an expired statute of limitations.[13] Issue #53 featured a dream sequence that mimicked the Stan Lee/Jack Kirby Fantastic Four, borrowing plot points both from the Galactus Trilogy (FF #48-50) and FF #51, “This Man, This Monster.” Another special called Doom Force was released as a one-shot and was meant to mimic and parody the X-Force book by Rob Liefeld. Issue #45 parodied Marvel’s Punisher in a satire called the Beard Hunter.Arcudi_Doom_Patrol

Morrison’s approach to the book was also notable in that his villains were extremely unusual and strange, even by Doom Patrol’s eccentric standards. For example:

  • Red Jack is a near-omnipotent being who thinks he is both Jack the Ripper and God. He lives in a house without windows, torturing butterflies to create the pain he needs to survive.
  • The Brotherhood of Dada are an anarchistic group who fight against reality and reason. It features members such as Sleepwalk, who can only use her tremendous powers when asleep (she takes sleeping pills and listens to Barry Manilow before battles), and The Quiz, who literally has “every superpower you hadn’t thought of” and a pathological fear of dirt.
  • The Scissormen, a race of beings that attack non-fictional beings in the “real world” (i.e., the world the Doom Patrol live in) with their large scissor-like hands and literally cut people out of reality.

In Morrison’s final storyline, it is revealed that the Chief had caused the “accidents” which turned Cliff, Larry Trainor, and Rita Farr into freaks with the express intention of creating the Doom Patrol. He then murders Josh and unleashes nanobots into the world, hoping to create a catastrophe that will make the world a stranger and more wonderful place. However, Caulder does not anticipate being decapitated by one of Dorothy’s “imaginary” beings, a malign entity called the Candlemaker.[8]Source

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