Madam Secretary: Season 2 Episode 7 Recap

November 23, 2015 Caitlin Safiran

Well after missing last week’s recap, I’m back! And I’m excited to have a fun episode to write about. This week’s Madam Secretary had everything I love about this show. It was simple and was more about the characters as opposed to some insane international crisis.

Episode seven centered around the reopening of the Cuban Embassy in D.C. and the American Embassy in Cuba. Bess and her team (excluding Matt) are very excited about this occasion, but Bess really moves into action when a senator is caught in a scandal and resigns from his post. This particular senator was in charge of what gets brought to a vote in Congress, and Bess takes this chance to push for a vote to lift the United States’ Embargo on Cuba. When Matt hears about this new plan, he tells Bess he wants to help but she at first turns him down. She doesn’t want his help if he isn’t sincerely excited about the U.S. mending its relationship with Cuba. She refuses to let him help her write the speech to be given at the American Embassy’s opening, but Matt insists that Bess let him prove his sincere interest. So instead of writing a speech, Matt goes out and meets with two former Marines who were stationed in Cuba at the time the embargo was instated.

Meanwhile, Bess goes to the President and pitches her idea to lift the Cuban embargo. And of course her nemesis Craig doesn’t think it’s worthwhile, but for once Russel actually agrees with Bess. Not much convincing later, and the President has agreed to support the vote. As soon as she gets the President’s okay, Bess and her team begin scrambling to get enough “yes” votes. Russel even steps in a couple of times to help Bess out, but all does not fair well. Just as they get the last vote they need to win, Bess and Russel see one of their senators giving a press conference on the news. He brings a woman on the screen and announces that he’ll only vote to lift the embargo if Cuba returns a fugitive living there accused of murdering this woman’s husband, a Chicago police officer, decades before.

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Upon her arrival, Bess meets with Cuba’s foreign minister and convinces him to take her to Cuba’s First Vice President. At this meeting Bess presents the VP with three Cuban prisoners the U.S. government is willing to trade for Afeni, but the Cuban VP shoots her down. The Cuban foreign minister is disappointed in this outcome, so he takes Bess to meet with Afeni in person. He suggests that since she can’t get the Cuban government to turn her over, perhaps Bess can convince Afeni to turn herself in. Of course this does not happen. Afeni refuses Bess’s offer because she never shot the police officer, and she fears she won’t get a fair trial since she’s an African-American woman. Never one to take no for an answer, Bess does her research and discovers that the FBI purposely hide evidence that proves Afeni never shot the cop. She comes back to Afeni with this news, and also promises to give her as much press coverage as she wants so that the American people will know her story.

And so, with Afeni returned to America, Congress votes to lift the embargo on Cuba. Bess gives a lovely speech at ceremony, and she’s accompanied by the former Marines Matt sought out. Even in the White House, everyone seems thrilled with this historic moment. That is of course except for Craig who Russel sees cozying up to the senator who derailed the vote in the first place. This moment convinces Russel that Craig was behind the whole debacle, and tells Bess the only way they can solve this problem is to “bury” Craig. I really hope they can pull this off. I will not be sad to see Craig go….

Game File, Games and Software, Indie Pennant

Indie Alert: Pulse Review

November 20, 2015 RaShaun Eshalomi

I didn’t know what to expect when I first read the unique concept of Pulse:

Journey as Eva, a young girl who [h]as lost her sight at an early age, and has since developed the unique capability to see the world around her through sound.

This first-person adventure allows players see what Eva “sees”: a semi-transparent world full of vibrant colors and polygon shapes. The transparency mixed with the shapes reminds me of an abstract C4D (Cinema 4D) effect. Sound obviously plays a very important role in Pulse. Rain drops, walking, wind, birds fluttering, and running water can all help get a glimpse of the dark world surrounding you. Jumping in place also helps if you don’t have room to walk.

There are these little, white animals called Moko that you can throw, which creates a sound when they land. Mokos are also used to get through obstacles throughout the game. Sometimes you have to throw them into little barrels they have to run in or sacrifice them to open the next level. They follow you around, waiting for you to need them—so cute, with their cute little faces. At first, I didn’t want to throw them and lose them. Throw them. Throw them everywhere. It really helps.

white little animal with big black eyes — Each Moko has its own facial expression: angry, questioning, happy, scared.

Pixel Pi does a great job of making players feel like they are blind too, which makes the game tough to play. With no map, the transparent world is deceiving and makes traveling a confusing trek. What you think is a clear path to a far away cliff in the back, is actually a wall that doesn’t fully appear until you’re against it. I got lost, a lot. Eva does leave glowing footprints for you to trace your steps, which was a little helpful. Whenever the world shakes or turns red, you’ll know you’re going the right way. I still had to stop and take breaks to make sure I didn’t become completely discouraged. Also, stay out of the water and try not to stumble into the unknown.

A blank background with the words "You have lost your way in the unknown" across the screen. — I saw this screen a lot.

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The story is vague—on purpose—for most of the game. Eva is on a pilgrimage her in which village didn’t want her to go, and the world and her village are in danger of collapsing. An obscure bird appears throughout your journey to give you cryptic messages about the events leading up to now. These hints help you to piece together what has/is happening to the world. I wasn’t really attached to the story; it felt like something was missing. Maybe a cutscene or something to show a little more background leading up to the beginning of Eva’s pilgrimage. A little something extra to make me care more. The scene could have still been through Eva’s eyes—or maybe jumbled pieces that the bird could remember—allowing players to have a better connection with her perseverance through the obstacles ahead of her. I was more interested in the obstacles Eva had to face and discovering more of this unique world.

The game is short, about an hour, possibly longer if you take the time to get all of the achievements. It can be completed in 30 minutes if you speedrun. There’s even an achievement for completing it in 30 minutes or less.

I wanted to love this game. I really wanted to and I really tried. The concept is great and the world has a lot of secrets I would like to discover, but I don’t think I’ll be playing Pulse again. The world is beautiful, but the thought of having to go through the trouble of seeing it just deters me. However, I would recommend trying it for the different experience. It’s not like any other game I’ve ever played, and I don’t regret playing.

I definitely want to see more from Pixel Pi. They are a talented group with a lot of creativity and imagination. There is definitely more worlds and stories they are holding onto. I hope this is only the beginning for them.

Movies/TV

Going Into the Badlands: Episode 1 Review

November 20, 2015 Grant Starson

Despite it’s attempts to advertise otherwise, Into the Badlands is not just weekly, hour-long kung fu sessions. It has a story, but I think I know why AMC attempted to hide that. The story is nothing spectacular as of yet: it’s a fairly standard post-apocalyptic fare, several feudal warlords, a morally ambiguous main character who’s become desensitized to killing, bandits and a kid sidekick. Nothing you wouldn’t find in Mad Max, Fist of the North Star or the like. The producers perhaps attempted to hide this by making the story dash off like an Olympic sprinter. A lot happens in this first episode which, considering Into the Badlands has only six episodes planned, is not a bad thing in itself; however, when it skimps over most of what provides context and development to character relationships and plot, it creates problems.

[youtube https://www.youtube.com/watch?v=wNIOtYvIaTI]

Great fight scenes are hard to do consistently on live action television. The most obvious reason is money; it’s just not reasonable to expect a weekly, serialized show to compete with what Hollywood takes several years to accomplish. Another good reason is just how much of it you’d have to produce, with the expectation from the audience of maintaining its quality from week to week. A movie has a certain amount of action scenes and can put as much time as it wants into each one as a result. Regardless of the inherent difficulties it faces, Into the Badlands promises to deliver on it’s kung fu-ery and has focused almost all of it’s pre-release advertisement on it’s action sequences. Now the series premiere , “The Fort,” is here and it’s time to put its lack of money where its mouth is.

It’s not long before the show gives us what we came for. The main character, Sunny (Daniel Wu), gets into a big fight with a bunch of bad dudes over a chest on which their leader is sitting. Unfortunately, the fight is less “cool” and more of a terrible version of a “Jackie Chan” movie. Now, I love a good Jackie Chan comedy fight scene as much as the next guy, but the sequence here lacks the energy Jackie Chan movies have. The entire fight takes place in an open woodland area with only a few trees and as such, it relies completely on the choreography in the actual fighting to be fun. However, the choreography is about as reliable as a pain killer addict locked in a pharmacy.

Sunny is the only character of the scene who doesn’t just throw himself around, so he’s basically pulling all the weight for the duration of the fight. There’s no sense of tension because Sunny clearly outclasses his opponents. As a result, the scene meanders between a few cool moves on Sunny’s part (flipping the bandit leader into the spike in the fire pit was a definite plus), until it just ends and goes straight to a highly stylized opening theme segment—wish the previous scene looked like this. The fight is made outright silly by laughable special effects, like the blood spray when one of the bandits is impaled with his own spear. Silly is okay, but this scene is taken too seriously for the inherent comedy that comes out.

Seeing Sunny literally plant a guy’s face in the ground was pretty cool though.

My low expectations for the following action after the first fight scene were raised quite a bit. Almost all the problems from the first fight scene were not present here; the flat woods is replaced by a New Orleans style town. This allows for more interesting camera work and more stuff for Sunny to jump off of as he fights bowler-hat-wearing assassins. Said assassins actually fight back and the sight of them and Sunny, the Chinese Neo, bouncing off cars, through buildings, and in shadow, all on a rainy night proves to be a very exhilarating experience.

The scene never holds on one thing for too long. Sunny and an assassin crash through a window, fight while the camera captures only their silhouettes clashing, and then in the next moment they seamlessly break out another window and continue the fight outside. This sense of flow prevents the battle from becoming stale. While the silliness from the first scene is still intact—hence the bowler-hat swordsmen—it works much better here with the new location. The bad special effects aren’t as apparent either, due to the night and the rain. Blood is still here, but with no ketchup-pack-splatter effects that look like they were edited in, over the actual characters.

The fight gives us many interesting perspective shots that flow smoothly with the action on screen.

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One of the biggest issues with “The Fort” is the relationship between Sunny and M. K. ( Aramis Knight), a child Sunny brings back to Baron Quinn (Marton Csokas). Sunny is built up as having gone through an intense brainwashing, and is being molded into a killing machine that is blindly loyal to Quinn. Within a few days, however, Sunny goes against the baron and sets M.K. free. Very little time is spent showing the two becoming acquainted, so it makes very little sense when Sunny chooses to sympathize with this one random kid over the dozens of other ones, who have been brainwashed also. This inconsistency also undermines Baron Quinn as a villain, showing that apparently he can’t even command obedience from his most valuable, brainwashed minion. That being said, the episode does discuss Baron Quinn’s diminishing influence among the other barons, and his son comments that Quinn is getting soft. Perhaps the depiction of Quinn as some sort of failing war lord is intentional.

Most of the characters fall flat due to relatively lifeless acting. Daniel Wu seems confused as to what emotion he’s supposed to be showing in most of his scenes. Oliver Stark portrays Ryder (Quinn’s son), while also doing his best Robert Pattinson impersonation. Aramis Knight, playing M.K., is just kinda there. Marton Csokas easily has the most presence in the show as Baron Quinn, but even he doesn’t go nearly outrageous enough with his plantation owner accent. I think a fair comparison can be drawn between Kill Bill and Into the Badlands as they both go for a tongue-in-cheek style kung-fu tone, with a large focus on extended action-set pieces. Kill Bill ends up doing the job right by having a cast of zany characters, with actors who can actually bring that zaniness out.

Woman and man sitting together — Sunny’s girlfriend is no better. Thankfully, this was limited to one short scene.

Now, some people may claim that it’s unfair to expect Hollywood level acting ability from a syndicated television show, but then those same people need to remember other AMC shows: The Bryan Cranston Variety Hour, also know as Breaking Bad. If nothing else, Breaking Bad set the bar for the level of acting we can expect from our television, and it’s a lot higher than what’s on display here. Sorry Into the Badlands, maybe if you had been released a few years earlier this could be forgiven, but you came out in a post-Cranston zeitgeist, so aim higher.

“The Fort” was not devoid of quality, outside the second fight. I genuinely like the setting, mixing a deep south aesthetic with a post-apocalyptic one is a unique idea. I hope to see more environments such as the town where Sunny meets The Widow, one of the other barons.

Baron Quinn's domain does a great job of melding deep south and kung-fu aesthetics — Baron Quinn’s domain does a great job of melding deep south and kung-fu aesthetics

It also did a good job of setting up the rules of the universe and how the characters factor into it. Hidden behind the wooden acting are some fairly interesting characters as well. I was glad to see that Ryder wasn’t just the typical evil heir to his father’s throne, who would throw anyone under the bus if it meant taking power sooner. Ryder seems to legitimately care about his father’s well-being, proven by his conversation with Sunny after Quinn takes Sunny’s advice against making a move against the other barons. He doesn’t talk with disdain towards either Sunny or Quinn. Ryder simply wants Sunny to recognize that Quinn’s diminishing influence among the other barons makes him overly susceptible to suggestion from his trusted assassin.

The first episode of Into the Badlands was decent. It has a metric ton of glaring flaws, but its good parts keep it from becoming too boring. I’m worried about the acting becoming a consistent problem for the rest of the show. I don’t see how it will get resolved unless everyone just decides to start being a good actor—or everyone is replaced by Bryan Cranston. The second action scene proves Alfred Gough and Miles Millar know how to direct a competent fight scene, so at the very least, I have confidence that Into the Badlands will continue to deliver on only thing it promises.

Artists Spotlight, Comics 101, Indie Pennant, Interview

ARTIST ALLEY: NS Kane

November 19, 2015 Kate Kane

Kane cosplaying as Batwoman. Picture by George Wong

Sitting in a darkened room, with the sounds of Shrek creeping through a wooden door in Sydney, NS Kane is typing away at a keyboard, plotting a plot. New to comics, she is an aspiring writer from the Land Down Under and is hoping to become another Australia comic-success story, following in the foot steps of people like Tom Taylor (Injustice: Gods Among Us) and Nicola Scott (Black Magick).

What is your current project?

The project is called Seamstress, and it’s about two seamstresses who work for both heroes and villains in their world, creating the famous outfits that they wear.

What inspired you to work in comics?

Actually my partner Kate did since she is an actual seamstress in her spare time. When I was sitting in my lounge with a friend, he turned around while watching her run back and forth carrying cups of coffee and said “you are a human sewing machine that runs on coffee.” At that moment I bolted to the computer and started writing, two years later Polli and Cassi were born.

What is the piece you are most proud of?

Well I love my Seamstress very very much but I’m equally as proud of my next project coming up called Toxicity, which is outside my comfort zone, but challenges me as a writer to really think outside the box.

Who is your dream team to work on a comic with?

Greg Rucka, JH Williams, Dan Mora, Blond the colourist, Rex Locus, Nicola Scott, Marguerite Sauvage, Stjepan Šejić, Ivan Reis, Joe Prado. Lol and that’s just for a start!

What is a typical day in the life of you when working on comics?

Well I go to work, whine for half the day that I’m not writing comics, then I find a few minutes to jot down a rough outline of my ideas for either a plot line or a 22 page issue. Then I usually come home and start loading the notes into a pretty format that looks cleaner before I realize I have made so many spelling mistake and spend the rest of the night cleaning them up.

nyteowl comic cover — Nyteowl: written by NS Kane

How long does it take to do a single issue script?

Depends on the script, sometimes I’m not feeling the mojo and it takes weeks, and sometimes it could take me less than three hours to knock out the script. But nothing is perfect, so I like to usually take a week to have some time to read then re-read it making sure everything is sitting right.

What is the process?

Usually loads of coffee is a good start, but I don’t do anything without music, it’s definitely a must for me to be in the writing mood. Then I sit down with my templated format and my rough plan to start writing away.

Who are your inspirations?

Greg Rucka is my biggest inspiration followed by Michael Alan Nelson and Tom Taylor. All these men really do give me hope that you can do what you dream, that you can write what you want and that even being from Australia will not limit you to reach the biggest comic companies across the world.

What is your dream project?

To write for Batwoman. That’s my biggest goal in my life, since she started me on this comic journey, and she is where I want to be. I want to give her a new life and the passion that she restored back to me.

If you could pick anyone to act as your mentor, who would it be?

GREG RUCKA!!!! Yes if he would put up with my annoying pestering every five seconds I would love to have him, if only for a few hours, to give me that nudge in the right direction.

Have you done anything at a convention, as in had a table in artist alley or a booth or been a guest?

Not yet, but it’s still early days for me so I’m hoping to debut Seamstress next year down here in Australia.

Have people ever cosplayed your work?

Unfortunately, no. Though I hear down the grape vine that something might be in the works! But it would be amazing to see any of my works come to life.

How has the industry changed since you first started?

Since I found comics a few years ago, the industry has exploded with talent, so I’m really excited to be in the thick of it right at this moment now.

How do you feel about the change to mainstream thanks to shows like The Big Bang Theory and the movies now in the cinema like Spider-Man and Batman vs Superman?

Well those shows have opened the world of comics up from being a child’s interest to a more adult scene. It’s nice to see people my age embracing this fantasy world and becoming more involved in it letting their inner child break free.

Tell us about Polli and Cassi:

Polli is a unique individual with light pink bubble gum hair. She only wears the latest fashion styles when she’s not doing business. Usually found in a sleek, seductive dress, she is the epitome of rich snob and knows it. With the cover of running a fashion house and magazine, Polli has no qualms about flaunting her decadence for the world to see, hiding in plain sight. But it is [that] confident high from her creations in front of the villain’s that boosts her thrill factor, having them only come back for more despite her rather unpredictable temper. Polli also has a quirk which is a considerable addiction to coffee.

Cassi, on the other hand, is a recluse. Only leaving her ‘Nook’ when she must, Cassi is usually found wondering around her hidden studio in just a baggy T-shirt and her underwear. She mostly avoids contact with her clients and all people in general, preferring to spend her time with machines more than man. A complete contradiction to her twin, Cassi is humble and caring with a stubborn sense of pride for her work. Cassi doesn’t care much for fashion and has a cheeky attitude that winds her sister up every time the topic is spoken of. Cassi also has a quirk which is a significant addiction to soda.

How long are you looking to have this series running?

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What is your favourite moment in what you have written so far?

Oooo, that’s a tough one, I have so many moments in each series I don’t think I can choose but one of my most heart wrenching is in a future issue of Toxicity when the main character Synner has to say goodbye to someone she loves, I cried while writing it and I still cry each time I read it.

Anything extra you would like to share:

The Kickstarter for Seamstress is running currently to fund the series. It’s been a long journey to get the book up and running and I just hope that people enjoy the rewards on offer as well as the story I want to bring to the world.

Fun time:

Who is your favourite comic book character?

BATWOMAN!! Everyone knows this!

Who is your favourite author (books)?

Mikhail Bulgakov

What is your favourite movie?

My go to movie is Spirted Away

What is your favourite band/music artist?

Heavy metal, give me anything with drums, guitar and screaming.

What is a quirk you have (like dipping fries into chocolate Sunday)?

List making, lord I have a list for everything I even have lists for lists.

11067608_676999059075411_5944772717998020651_n — Synner: Toxicity

Pick-

Day or night

Night

Star trek or Star Wars

Oooo damn you. Star Trek if it has Janeway

Coffee or tea

Coffee

Summer or winter

Winter

Cats or dogs

Dogs

Batman or Superman

duh Batman!

Movies or a book

Movies

Pizza or Burgers

Burgers

Coke or Pepsi

Pepsi if I could drink it, lol

For those wanting to see more of NS Kane’s work you can find her on Facebook, Twitter and the Kickstarter for Seamstress

Next issue release date of current project: January 2016

Film/Television/Broadcast/Radio, Movies/TV, Pop Culture

Feeling Groovy Baby?

November 17, 2015 Zach Snyder

Let me just start by saying I’m a little excited, you know why? Ash vs. The Evil Dead started Halloween weekend and it’s nothing short of fantastic, nostalgic, and had me absolutely enthralled. I don’t usually laugh or cry at what I watch, but I absolutely busted out at this series. Let me teach you a few things today; some groovy things.

In case you didn’t know about the evil dead (not the female-ash version) then shame on you! Get out there and watch The Evil Dead trilogy; there is a lot of Bruce Campbell’s glory there that you are missing. Anyway, here is a quick run-down of the story. A man and his friends spend the night in a cabin; they also find a strange book that happens to be bound in human skin and written in blood. This is the Necronomicon, which summons the evil dead, thanks to Ash and his friends. Ash gets tossed into the thick of it, cuts off his own hand, replaces it with a chainsaw, gets tossed into the past and sleeps until he’s back in his own time (or to some he “overslept” and went into a terrible desolate future). It’s simple to say it’s a crazy trip, and that Ash is an absolute idiot, this series is super corny, but badass none the less.

The series is three episodes in right now and I’m very excited about each of them. The old musician, Joseph LoDuca, is back, Sam Rami is the director again, the deadites are creepy as ever and Ash wants nothing to do with it, at first. He ends up taking up the role of El Jefe (The Boss) and gets two odd allies in Pablo and Kelly (I feel like they are Ash, but split into two people). Ash jacks up the same type of store he did before. At this point he’s even killed his old boss, tossed on the old attire that has the complete chainsaw hand option, and is being his old slick self. The series starts off with Ash talking a lady at the bar into some bathroom fun. This went awkward really fast once a deadite showed its face in the lady . . . just watch it.
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Pablo and Kelly are really getting a lot of my attention in this show too: Kelly, a young able-bodied lady who makes a short show of Ash at work, armed with whatever she can get her hands on; Pablo who apparently came from Honduras “New Jersey,” with some Uncle Abrujo issues, where he learned the stories of El Jefe, armed with his bottle (his hobo knife or busted glass bottle for stabbing). This is such a dysfunctional trio, and it makes you crawl with anticipation to see them all interact. This is the kind of combination that gets me into the story. The stuff that makes me want to move around and not sit still cause it’s too hard not to watch, and too hard to not feel like I am going to miss something spectacular.

I really enjoy the campy flair of the show so far. It has all the old glory of Evil Dead, and the silly aspects of Bruce Campbell I have come to love over the years. The fight sequences have the over the top slow motion and really strange deadite lines that are dumb, but so creepy. If you are in the mood for some horror with a mix of comedy, then definitely check this out. Be warned, there is a lot of blood, almost Quentin Tarantino-esq.

P.S. Who is this Fisher lady, and why does she only want to shoot Ash? She seems as dense as he is in some ways.

GIGA: GeekMagazine

Monthly Archives: November 2015

Madam Secretary: Season 2 Episode 7 Recap

Indie Alert: Pulse Review

Going Into the Badlands: Episode 1 Review

ARTIST ALLEY: NS Kane

Feeling Groovy Baby?