All posts by Alex McCumbers

Classic games are my inspiration. Many of those games hold design elements that are blatantly ignored in modern games. Doesn't mean I'll ignore new titles, but I will reject play requests to spend time with my SNES.

Indie Alert: Sombrero

Sombrero Game Cover 2It’s hard to stand out in a flood of game development. The marketplace is a wondrous bazaar of innovation, experiences and expression. Stepping into this marketplace is overwhelming as a player. As a developer, it’s terrifying. Therefore, when an independent developer makes something unique and special, we journalists like to raise our banners and call more people to play it. Today, I do just that.

The developers at PixelMetal have been hard at work on chaotic multiplayer, akin to Super Smash Bros. with spaghetti-western themes: Sombrero.

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Maps are large enough to hold four players comfortably, while retaining the chaotic nature of the game.

Sombrero will feel familiar to players of Smash Bros. and Towerfall: Ascension. Large stages filled with culture becomes a shooting gallery for cowboys, skeleton gamblers and cheese. The game’s humor is apparent in its themes and characters. In fact, the first time I fired this up with a friend, we couldn’t stop laughing. Our brawls were as messy as a saloon after a good bar fight, but we never stopped having fun.

Sombrero Deathmatch stage
Sombrero Deathmatch stage playthrough.

While playing an early test build of the game, I played two different modes, Loot and Deathmatch. Deathmatch is exactly what one would expect: find other banditos and introduce them to a six shooter, dynamite or the dreaded pulse gun.  On the other hand, Loot encourages more movement on the map to collect sacks of scratch. Players can also claim campfires to increase a modifier, which doubles the amount in a cash sack by however many campfires the player has claimed. Loot will surely be the main mode players gravitate to, as it feels less one sided in most occasions. I did play with only one other person, so a full on four-player match would feel much different.

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Character design is one of the funniest aspect of the game.
Character design is one of the funniest aspect of the game.

This indie is one of those casual games that emulates some truly great game designs, but remains fresh due to its lighthearted approach. The themes found in the design of the characters, stages and music fit well together. Makes me crave a shot of whiskey over leered eyebrows, with a pistol at my hip and a knife in my boot.

Sombrero will be hitting PC, Mac, and Linux in a few months, but I hope to see it ported to other consoles as well. This frantic western would fit well on the Nintendo Wii U or the PlayStation family of consoles. Either way, Sombrero is worth picking up and playing with some brave cowboys and cowgirls.

Expect a good time at the saloon with Sombrero.
Expect a good time at the saloon with Sombrero.

For gameplay footage, check out the video below on the Giga Geek Youtube Channel. 

[youtube https://www.youtube.com/watch?v=ZIClrQmg0Dc]

Metroid: The Sky Calls

Fan films, as I have discovered before, can capture what makes these honored franchises so special. Metroid: The Sky Calls is a short film by Rainfall Films. The film portrays Samus in way that kind of heals the wounds left by Other M. Rainfall also does a great job of keeping space mysterious, with more focus on the locale than the action.

Check out this awesome fan film before Nintendo takes it down.
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Yoshi’s Woolly World Makes me Feel Warm and Fuzzy

Nintendo has a way with creating wonderful settings with its characters. In the past few years, the company has enabled some of their franchises to change things up with new styles and art directions. Kirby’s Epic Yarn was one of those experimental titles, but suffered from harsh criticism for its lack of challenge. Good-Feel, the same developers of Epic Yarn, took its knack for handmade adventures and brought it into its newest title, Yoshi’s Woolly World. 

From the onset, there is a clear difference visually between Woolly World and Epic Yarn. The Wii U’s high definition capabilities make every single asset stand out in Woolly World’s handmade style. The yarn-spun creatures and backdrops look tangible, with every fiber clearly visible, giving Yoshi’s environment a fuzzy feel. It’s hard not to smile while playing; even watching gameplay is a delightful experience as crocheted waterfalls and cotton ball clouds set the stage for Yoshi’s rescue mission. Yoshi must travel to each world to put together the other Yoshis, who have been unraveled by Kamek, all before Bowser Jr takes over the island. A simple story, but one that feels like a wonderful bedtime tale.

Yoshi's adventure through handcrafted levels is wonderful.
Yoshi’s adventure through handcrafted levels is wonderful.

Those expecting a casual experience should keep an open mind. There are over 2000 items to collect in the game and these items are well hidden from the beginning. Back on the SNES in Yoshi’s Island, I could usually snag all five flowers on the first run through, but in Woolly World, I’ve only managed to get all five flowers on a couple levels after two worlds. Players truly have to search each level thoroughly to succeed, but the drive to do so is built into the game’s premise. The main collectibles are bundles of yarn that, when collected, knit together a unique Yoshi that’s usually themed with the level. Players can then use these patterned friends as playable characters, including some that show off Nintendo’s legacy.

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Completing various challenges unlock console based skins! Image courtesy of NintendoNews.com

Woolly World can be described as an updated Yoshi’s Island in the best ways. The game challenges players to learn how the mechanics work, similarly to Yoshi’s Island, but the yarn-made aesthetics change up the way challenges are presented and approached. For instance, Yoshi now unravels his enemies and throws balls of yarn, which can bounce off of water to reach items that can’t be reached by swimming. Chain Chomps are now wire frames that chase the player, but can be covered in yarn to use as a boulder to reach new heights, crush enemies, and press weighted switches. The yarn-based physics creates new ways of thinking.
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Chain Chomps can be pacified with yarn!
Chain Chomps can be pacified with yarn!

Yoshi retains his strange ability to transform into various vehicles, but the forms make much more sense in this setting. In one level, Yoshi grows massive, stomping around like a Toho Kaiju. In another, Yoshi becomes a motorcycle for a high speed race across water spouts that look like blue, cozy blankets. Each form is used to break up the standard platforming gameplay in interesting, albeit brief, ways.

Some forms are stranger than others, but each section offers unique challenges.
Some forms are stranger than others, but each section offers unique challenges.

Good-Feel has gone above and beyond with Woolly World.  The entire game offers unique visuals and mechanics that are inspired by Yoshi’s Island, but add new layers of depth. Yoshi will forever hold his spot as a hero of one of the best Wii U titles in its sparse library. It’s a delightful experience for all ages, including veterans looking for a solid platforming game. Hopefully, Woolly Wold’s success will lead to more experimentation from Nintendo.

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Bloodborne Origin Theory: Vicar Amelia

Bloodborne is one PS4 game that continues to impress me. Not only is the game brutally difficult—making victories all the sweeter—but also the world carries a narrative that could make a classic horror novel. Much of Bloodborne‘s creatures and locale, seem to take inspiration from the works of Bram Stoker and H.P. Lovecraft, as well as modern works such as Berserk and the obscure film Brotherhood of the Wolf. While many of the game’s aspects can be traced back to these various works, one iconic beast may have inspirations from mythology as well as one history’s darker moments.

Brotherhood of the Wolf
The clothing in Brotherhood of the Wolf is thought to have inspired the Bloodborne look. Weaponry used in this film are also similar to some of the weapons in the game.

It’s important to note that this connection is a theory; my basis for such is simply fun speculation. However, the points I’m about to lay out are hard to ignore.

For those who lack Bloodborne experience, or only made it to the first boss, Vicar Amelia needs an introduction.

From Bloodborne‘s lore, Vicar Amelia is a member of the Healing Church, a group who uses different types of blood to find ways to cure diseases. What the Church didn’t realize was that by discovering the blood in ancient tombs, they opened up the world to blood-induced transformations. Those closest to the Healing Church often became the most horrid of creatures during the Night of the Hunt.

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Wendigo?

Amelia’s visual design has many layers, literally and metaphorically. First of all, the fact that the beast has the head of a deer, but the maw of a wolf leads me to think that inspiration was drawn from the Wendigo of Native American myth. Wendigo are beasts that were once humans, which emerged from an irresistible urge to consume human flesh. They are an abomination of natural order.

Robert Fiddler, son of Jack Fiddler
Robert Fiddler, Son of Jack Fiddler

In fact, many people were killed when it was determined they were changing into Wendigos. Jack Fiddler was a man who went from tribe to tribe killing these monsters as an act of mercy to save them from changing. The killing of a Wendigo was a practice taken quite seriously, to the point that Fiddler was legendary for his heroics. The Canadian Police, of course, found this behavior to be savage. Fiddler was later arrested for murder, but committed suicide before trial. Leaves one to wonder how many Wendigo went unscathed after his death.

Supernaturals Wendigo
A Wendigo in an early Supernatural episode.

Modern Wendigo have been recently portrayed as having the wolf-like features with the antlers of a deer or moose. They’ve also appeared as skinless, vicious, humanoids with yellow eyes. In media, Wendigo have appeared in the television shows: Supernatural, X-Files and more. Many also believe the Cleric Beast in Bloodborne to be a Wendigo as well.

The Cleric Beast of Bloodborne
The Cleric Beast of Bloodborne

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Amelia DyerVicar Amelia oddly shares a name with one of the most prolific serial killers of Victorian Europe, Amelia Dyer.

Those who met Dyer during the late 1800s, probably saw her as a caring, motherly figure who took in unwanted infants to give them a home. She would often appear as a nun, or a teacher, taking on the burden of caring for many children. A fee was always charged for taking such responsibility, but money had to be made to survive, so most folks obliged to pay her without much thought. Unbeknownst to her customers, there was a reason Amelia Dyer could take in so many infants. The children were killed. Their clothes were often used on the next victims or were sold at various shops.

It is believed that hundreds of children were murdered this way.

Dyer continued to run her baby farms for many years, until she was eventually caught. During the time of her trial, the Thames was searched to find more corpses, babies strangled with white tape. The white tape was typical in Dyer’s murders as she admitted to authorities that’s how they would know which bodies were of her doing. She was hung, like most criminals of the time.

Featured Image
Notice the bandages and ribbon-like hair, all of which are white.

Being that the game takes place in Miyazaki’s impression of that point in history as well as the general darkness of the game’s world, it’s a possibility that the designer wanted to represent the creature hiding beneath Amelia Dyer’s skin. Ironically, Miyazaki’s Amelia is covered in the white ribbons, the second visual aspect of the monster’s design.

Empathetic Mother Figure?  

The third visual feature to point out is how Vicar Amelia cradles her holy symbol. She’s found sobbing over it, the beast blood finally overwhelming her, a prolific member of the Healing Church. However, when she transforms, she continues to carry the symbol, holding on to her belief that the Healing Church is doing good in the long run. The monster cradles that symbol like a baby.

Even when she becomes a beast, she holds on to that pendant.
Even when she becomes a beast, she holds on to that pendant.

It was this mannerism that solidified the connection between Bloodborne‘s Vicar Amelia and Amelia Dyer for me. The slaughter of infants for financial gain is definitely a trait that was monstrous and Vicar Amelia personifies these sins in history. Yet this motherly stance of the beast continues to hammer in the idea that these monsters were once normal people, proving that there are few one can truly trust. Pity conflicts with the need to hunt in Bloodborne, making encounters like this one all the more memorable.

An early concept image for Bloodborne.
An early concept image for Bloodborne.

What started as mere name association became an interesting web of details and design elements. It goes to show that the minds behind Bloodborne and their previous titles are putting tons of detail into each aspect of their games, while also leaving enough blank space for imagination to fill in the holes. Miyazaki has claimed that his games usually pull from how he approached literature as a child, reading the gist of the words and filling in the blanks with his own musings. In Bloodborne, the vagueness of the story and the dark world of Yharnham forces players to fill in these holes with dark thoughts, often leaving true, residual horror.

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The Forgotten City Tells a Story for the Ages

Bethesda Softworks often has the best support when it comes to post-launch modification. Such has been the case ever since Morrowind, adding hundreds of hours to an already time-encompassing game. Skyrim has also left open its proverbial bed chambers, accepting anything from Thomas the Train as a dragon to all manners of nudity.

All jokes aside, there is still plenty of life left in Skyrim on the PC, at least as long as people like Nick Pearce have something to say about it.

The Forgotten City adds a whole new area for players to explore, packaged with its own narrative and a plethora of top-notch voice acting. A quick download and a bit of a walk leads hopeful dungeon divers to a gorgeous scene of a cave mouth just behind the veil of a waterfall. What lies beyond the entrance are mysteries beyond typical logic.

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Charred corpses lay strewn about broken Dwarven architecture, husks of their former grandiose. After delving deeper to the heart of the underground city, a desperate girl looms over a massive well, her face in obvious despair. She approaches Dovakhiin, asking him to help find her brother, who has been exploring the ruins. Accepting the quest feels simple enough, but after the exchange is over, one quickly realizes that in order to find him, one must take a leap of faith.

Falling through that shaft felt like a mistake, but luckily a deep pool of water lies at the bottom. Once again the player gets to explore a destroyed city, eventually coming across a lake house. Inside is a broken soul gem, and a note that tells of the tragedy and pleads for help. Magic then swirls about the only doorway, giving the player no choice. Stepping in flings the hero into the past, before the tragedy.

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Stepping out of the lake house is a powerful moment. The sheer beauty of the place, after witnessing what will befall it, immediately plants seeds of wanting to save the city. There are several little moments like this in The Forgotten City that demonstrate the modder’s keen understanding of using the environment to tell the story. Frankly, this first moment is brilliant. Invested in the story already, players are introduced to a host of characters as a simple farmer leads the Dragonborn to the Jarl, or Mayor of the city.

Many people are introduced, giving hints to their story and background with expertly crafted dialogue. Even the characters’ tone is used to add more to each exchange, something that vanilla Skyrim often failed to achieve. In fact, much of the appeal of The Forgotten City is uncovering each character’s unique story.

After a strange meeting with the Jarl, in which the player presents him with a letter written from his future self, the Dwarven Law is introduced. After this conversation, the Jarl tasks Dovakhiin to find out who will trigger the calamity that ends their utopia and to stop them by any means necessary. He looks out at his city from his perch at the top of the Citadel, desperately wanting things to stay how they are.

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“The many shall suffer for the sins of the one.”

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As the story progresses, the Dwarven Law reveals itself  as being quite the moral dilemma. Many characters call the Jarl’s leadership into question, leaving many to ask just what is against the Law. Others sought refuge from the brutal world outside, seeing the Law as a saving grace. This idea of morality is paralleled with the characters.

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One such example is that of Vernon, a produce vendor in the city square. He seems to enjoy his work and is happily ready to sell his wares, but his mood drastically changes when a note comes from under the door. The note calls Vernon an abomination and threatens him, all in blood red ink. Players can take this note straight to the Jarl and sentence him to death, yet a more interesting option lies in showing the letter to Vernon. Vernon, seeing this treatment before, reveals that he is gay. Players are then left to find who would write such a letter and try to resolve the issue.

This focus on characters and narrative permeate the entire game. There is little combat to be had; only a few situations lead to a sword being drawn. Where the mod shines is how its narrative proposes an interesting “Who will do it?” detective scenario, while also elaborating on the mysterious Dwarves of Tamriel. Truly the story is worth exploring, especially when factoring in the multiple ways to finish the quest and return to the present. Learning a character’s motives through looking at what they have in their home, or their subtle shift in tone rewards players who pay attention to detail.

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The Forgotten City also sports a polish that many mods fail to achieve on their first few versions. Other players have complained about certain events not triggering correctly, but I found no such problems during my six-hour playthrough. I did spend a lot of time walking back and forth in the area when trying to solve a puzzle, wracking my brain to think outside the box. When I finally succeeded, I felt that I was rewarded for my cleverness and laughed at my fear of destroying the city. I would reload a save every time I accidentally stole a carrot or hit the wrong dialogue choice. The cataclysm can be reversed by revisiting the lake house and going through the portal again, creating a Groundhog Day-esque time loop.

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Dr. Who would be proud of Pearce’s use of time travel and the theories associated with it.

The Forgotten City’s final moments are truly epic as the pieces of the puzzle fall into place. Things are clarified in interesting ways. To get the best ending, one has to use what’s been learned in order to do something absurdly brilliant. Finishing the game, for me, was a bittersweet moment. Bringing closure to the characters of the city brought true joy to my heart. I’ll even go as far as saying I teared up a bit. Yet, I was left feeling hungry for more adventure, wanting to discover other things lost to the destructive nature of time.

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This adventure is an excellent example of game modification being used to its true potential. The atmosphere adds layers of depth to the expertly crafted narrative, while talented actors and actresses give a flawless performance. Like a giant puzzle, solving the mysteries of this long-forgotten city is rewarding both on a mechanical level and on an emotional one.

The Forgotten City is the candle I will hold up to all other mods that follow.