All posts by J.A.Montemoiño

Asap Science – Orgasms

[responsive_youtube http://www.youtube.com/watch?v=hpc2NjUAtOY&list=TLuru3T2HJYCM&feature=player_detailpage&autoplay=1]

TWEET IT – http://clicktotweet.com/V75eb

Everything you wanted to know about orgasms, but were too afraid to ask. Who knew science could be so sexy?

Written and created by Mitchell Moffit (twitter @mitchellmoffit) and Gregory Brown (twitter @whalewatchmeplz).

TWITTER: http://www.twitter.com/AsapSCIENCE
FACEBOOK: http://www.facebook.com/AsapSCIENCE

Music by Mitchell Moffit
http://www.mitchellmoffit.com
http://www.twitter.com/mitchellmoffit
http://www.facebook.com/mitchellmoffit

Art by Gregory and Mitchell
http://www.gregorybrownart.tumblr.com
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Some Sources—-

Science of Orgasm
1) http://bit.ly/PZRNYp
2) http://bit.ly/mQlb25
3) http://www.ncbi.nlm.nih.gov/pubmed/11…

Men vs Women
4) http://onlinelibrary.wiley.com/doi/10…
5) http://bit.ly/ORJsCq

Male
6) http://bit.ly/OXeKLJ

Women
7) http://bit.ly/mSF8qz

Otaku Spotlight – Evangelion Series


 新世紀エヴァンゲリオン Shin Seiki Evangerion

Home Video Release Date (USA): May 16, 2000

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First Aired (Japan): October 4, 1995
Last Aired (Japan): 1996Seasons: 1
Episodes: 26

The wildly popular Neon Genesis Evangelion series winds to a captivating conclusion with this visually stunning anime feature from director Hideaki Anno. When the dawn of the new millennium brings destruction on Earth by means of the seemingly all-powerful angels, the only hope for the future of the human race lies in Evangelions — bio-engineered crafts created from the Angel’s technology. As three pilots gear up for the flight that will find them facing the greatest threat to mankind ever wrought upon the planet, a glimmer of hope remains that the humans will be able to defeat the angels and bring peace and prosperity to a planet torn apart by war with the destructive angels. ~ Jason Buchanan, Rovi

In the Neon Genesis Evangelion franchise, Evangelions, or simply Evas, are the (fictional) mechas piloted by the Children chosen by The Marduk Institute (a front company of Seele). The Evas were created by Nerv for the apparent purpose of defending Tokyo-3 from the threat of the Angels. The Evas were designed by Ikuto Yamashita and series director Hideaki Anno.
FULL CAST AND TALENT LIST HERE

Development

Neon Genesis Evangelion first emerged out of a deal struck between King Records representative Toshimichi Ōtsuki and director Hideaki Anno,[2] whose proposed sequel to Royal Space Force: The Wings of Honnêamise had recently fallen through, over drinks for an anime TV series project (“something, anything”).[3]

Though the original plot line for Evangelion remained relatively stable through development, production proved to be turbulent: Sadamoto’s authorship of the promoting manga caused problems, as multiple publishers felt “that he was too passé to be bankable”;[4] the stylized mecha design that Evangelion would later be praised for was initially deprecated by some of the possible sponsors of a mecha anime (toy companies) as being too difficult to manufacture (possibly on purpose),[5] and that models of the Evangelions “would never sell.”[6] Eventually, Sega agreed to license all toy and video game sales.

A sudden shift in tone occurred in the series around episode 16, partially due to scheduling restraints (drastically reducing the number of frames that could be drawn for each episode).[7] While Anno had promised early on that “every episode [would give]…something for the fans to drool over,” he began either removing fan service or juxtaposing it with scenes of emotional trauma.[8] The problematic schedule and Gainax’s reputation for delivering episode prints at the last minute also resulted in more experimental approaches, with several episodes reusing shots, using uncommonly long still frames, flashing frames of often rhetorical introspective (Japanese) text and the final two episodes changed from their original concept into a psychological analysis of the main characters.

The resulting 26-episode anime, animated by Tatsunoko Productions and Gainax, and co-produced by TV Tokyo and Nihon Ad Systems, was broadcast from October 4, 1995 to March 27, 1996 on TV Tokyo. It was critically and commercially successful and acclaimed for its innovative imagery, concepts, and refreshing take on the mecha genre and anime as a whole (though not without controversy, as reception of the latter quarter of the TV series was sometimes hostile to the point of death threats). It was later aired across Japan by the anime satellite television network, Animax. The series won the Animage Anime Grand Prix prize in 1995 and 1996.

The series’ unexpected success would not only spawn countless derivative works and imitators,[9] but established a whole franchise based around a number of distinctive features: a stock set of distinctive characters such as Shinji Ikari, Asuka Langley Soryu, Rei Ayanami, Toji Suzuhara, and others such as Misato Katsuragi (for a complete list, see here); a number of philosophical, psychological, and religious themes; and an idiosyncratic vocabulary of symbols and allusions drawing heavily on Christian and Kabbalistic symbolism, Buddhist beliefs, and the Japanese otaku subculture.


http://www.fandango.com/neongenesisevangelion:theendofevangelion_v281071/plotsummary
http://www.spiritus-temporis.com/evangelion-mecha-/

http://en.wikipedia.org/wiki/Neon_Genesis_Evangelion

Asap Science – Your Brain on Marijuana

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The Legends of Heroes Indiegogo Campaign

The Legends of Heroes Indiegogo Campaign
By: Stephanae Turner
Edited By: J.A.Montemoiño
GIGA STaff Thumbs Steph
What it is:
The prestigious Children’s Hospital of Denver,CO, will take part in this special event hosted by a giving spirit of comic-buff fandom who comes to the less fortunate in the name of community outreach.  Stephanae Turner and many others will be hands-on to bring a ray of sunlight to the patients, and faculty.

150+ patients of the Children’s Hospital will enjoy this festive gala celebrating the arts, games, laughter, and youth which will have special mystery guests in attendance. The organizer has only the community as her source of motivation.  Lend us a hand and together we can support this sure-to-be memorable event that will certainly entertain these young patients in trying times.

During the event
• I Stephanae, will personally get to know each and every child’s name and favorite hero.
• Each and every pediatric patient will receive a custom 10×12 painting of their favorite hero as well as receive an authentic and collectible boxed figure of their hero.
• Attendees will enjoy a 4-5 hour guest visit from the Heroes Alliance of Colorado so all of our favorite caped and masked super heroes will be available live and in costume to enliven the affair.
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• A professional photographer will be on hand to capture families and friends attending this charitable occasion.
• Beverages, Catering, Photo’s will all covered by charitable donations. The Cost to cover this extravaganza is approx.. $4,000.00 and we need to raise that in 60 days.


We hope you can and will donate but even if you can’t, have no worries that’s perfectly ok because just you taking the time to acknowledge this project and getting the word of mouth out there is worth so much. But if you DO what to donate =) … (Yay!)… any amount is welcomed but there are other bonus perks for donating specific amounts ($10, $25, $50, $100). So let’s get to it and make this thing happen! Once again thank you for all of time and effort!!

Stephanae Turner *MaidenAmerica


The Legends of Heroes Indiegogo Page

Edited by: Jacques A. Montemoiño

Yasiin Bey (aka Mos Def) volunteers for standard Guantánamo Bay procedure – video

To raise awareness for the detainees at Guantánamo Bay and of one of the multitude of human rights violations at the facility, actor, musician, and activist Yasiin Bey volunteered to take part in a very disturbing procedure of being force fed. The Islamic holy day of Ramadan marks the beginning of a detainee protest, and at the detention center in Cuba more than 100 have refused to eat. Numbers vary from different sources but this “Hunger-Strike” in Guantánamo Bay includes approx. 120 inmates and more than 40 of them are being force-fed twice a day. A leaked document sets out the military instructions, or standard operating procedure, for force-feeding detainees. In this four-minute film made by Human Rights organization Reprieve and Bafta award-winning director Asif Kapadia, US actor and rapper Yasiin Bey (formerly known as Mos Def), experiences the procedure.  Watch below.

Warning: Some may find this video distressful

Update July 29 2013 - via news.yahoo.com

Rapper’s force-feeding video riles U.S. medics at Guantanamo Bay

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Reuters

Jane Sutton July 26, 2013 SocietyMos DefReprieve (organisation)
Mos Def

By Jane Sutton

GUANTANAMO BAY U.S. NAVAL BASE, Cuba (Reuters) – A video protesting force-feeding at Guantanamo Bay detention camp in which rapper Mos Def is seen struggling and weeping while undergoing the procedure has done the rounds at the Navy base. U.S. medics who perform the real thing on hunger-striking prisoners say they’re not impressed.

“It’s ridiculous. It’s 100 percent false,” said a Navy nurse known as “Ensign Lodowick” at the detainee hospital where real names are protected for security reasons.

The New York rapper-actor who also goes by the name Yasiin Bey released the video earlier this month in collaboration with Reprieve, a London-based prisoners’ rights group that represents several Guantanamo hunger strikers and which describes the force-feedings as painful, humiliating and a violation of medical ethics. (http://link.reuters.com/daz89t)

Journalists are not allowed to speak to any of the 166 captives held at the U.S. naval base in eastern Cuba nor to watch as nurses insert feeding tubes into the noses and down into the stomachs of hunger strikers who receive liquid nutrients while strapped into feeding chairs.

In accounts relayed through their lawyers, the prisoners have described rough treatment and excruciating pain.

In a series of interviews with Reuters inside the detainee hospital, Navy doctors, nurses and hospital corpsmen said most of the 44 hunger strikers they tube-feed are calm, accepting and eager to get on with what has become a daily routine.

“Most are asking us to hurry up, make it go faster,” said Lieutenant Junior Grade “Lucentio,” a Navy nurse. Most of the nametags on the staff’s camouflage uniforms are pseudonyms drawn from Shakespearean plays.

Some detainees drink the liquid meals, usually Ensure, directly from the can, the medics said. All of them eat some regular food some of the time, but in small enough quantities to maintain their status as hunger strikers and continue their protest against open-ended detention at Guantanamo, where most have been held for 11 years without charge.

“It’s a method of communication,” said Petty Officer 2nd Class Bradley, a Navy corpsman.

HUNGER STRIKE 5 MONTHS OLD

Sixty-eight prisoners are currently taking part in a hunger strike that began in February, down from 106 at the peak earlier this month. Forty-four are receiving tube-feedings, which begin when they drop to 85 percent of their ideal body weight.

Numerous medical groups have called it an ethical violation to force-feed mentally competent adults who refuse food, but U.S. courts have declined to intervene to prevent it.

The hunger strike has tapered off with a pardon for disciplinary infractions during the Muslim holy month of Ramadan, and a partial return to communal housing that allows some prisoners to pray and celebrate the end of the daytime religious fast together. It’s unclear whether the limited truce will outlast Ramadan, which ends on August 7.

View gallery.”

Mos Def performs during the "Discover Music!" event …

Hip hop artist Mos Def performs during the “Discover Music!” event at Capitol Studios in Hollywood,  …

Advocates for closure of the detention facility argue that holding prisoners for years without charge or trial is a stain on the United States. They say Guantanamo is a threat to national security because it is a powerful recruiting tool for militants.

In the Reprieve video, which has been viewed more than 5 million times in two weeks on YouTube, the rapper wears an orange jumpsuit and writhes in pain as someone attempts to insert a feeding tube into his nose. He wiggles out of a head restraint, but gives up the effort before the tube reaches his stomach, and cries.

In reality, the medics said, detainees are strapped down at the legs, waist and hands by guards, but their heads are not restrained. The slender, flexible feeding tubes are lubricated with olive oil or a pain-numbing lidocaine gel and some of the prisoners help out by swallowing them down into place. None has vomited or cried, the medics said.

Army Sergeant 1st Class Vernon Branson, a watch commander at one of the prisons, said one of his fellow guards underwent a tube-feeding to see what it was like.

“My soldier took it like a champ. He was laughing and talking the whole time,” Branson said.

Branson said he used to be a Mos Def fan but the video changed that. “I deleted his music off my iPod. I was a little upset about it,” he said.

The nurses said the tube-feeding procedure at Guantanamo is identical to that they have used on sailors and their families at military hospitals in the United States when patients can’t take solids due to illness.

Mos Def’s re-enactment was done “by the book, according to the military’s standard operating procedure,” said Clive Stafford Smith, the British lawyer and director of Reprieve.

“We didn’t do it nearly as badly as the prisoners say it’s being done to them,” he told Reuters.

The medics said they are fulfilling a professional duty to preserve life.

“I’m a nurse. I didn’t join the military to shoot people. I joined to save people,” said “Leonato,” the senior medical officer at the detainee hospital.

The medics say they don’t believe that any of their patients really want to starve to death and they won’t discuss the politics that keep them at Guantanamo.

They dismiss Mos Def as an actor playing a role but resent his depiction of their work.

“Nobody wants a tube in the nose but sometimes it’s necessary,” Lucentio said. “It’s kind of disheartening to have our job skewed as monsters.”

(Editing by David Adams and Claudia Parsons)