Combining two different elements into one can make for some amazing results. Put Wolverine and Spider-Man together and you get Deadpool. Mix burritos and deep fryers and you get chimichangas. (Yay!) Combine horror with comedy and you get Batman Forever. I think my point has been proven. Now introducing Dark Moon, a motion comic that combines horror and science fiction, created by Freematik with artwork by Benedick Bana.
The premise here is pretty interesting. Earth is about to be destroyed (allegedly) and in a last ditch effort to survive, seven(?) people teleport themselves to a moon where they are alone and possibly being hunted.
The addition of music and some sound effects is a very nice touch that definitely sets this digital comic apart from any physical comic. Most of the time the music does a beautiful job of keeping me completely immersed in the comic. However, there are a few times where the music doesn’t quite fit with what’s happening or doesn’t match the tone that the comic has set. For example, in certain parts, when the music leans a bit too far towards hip-hop, it snaps me out of the mood of the comic. Although, even with the few missteps, the music is by far the strongest part of Dark Moon.
Interesting indeed.
Another great aspect of the web comic is the art. Where the artwork really shines is in creating creepy images. The comic isn’t overly gory, but there are some very chilling moments, with some credit to the music as well, that will definitely get a reaction out of you. Bana does a great job of portraying the bleakness and hopelessness of the moon, using different shades of black and grey, with a splash of red or blue; however, there are a few backgrounds that are a bit plain or the same color as everything else in the panel. Also, an image throughout the first three issues shows a far away shot of our main characters surrounded by nothing. This constant image focuses on the fact that these people are trapped by themselves on this desolate moon. The first time was a cool picture, but after seeing it a few more times it became redundant.
This looks like a kid scribbled something in Microsoft Paint.
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The lovely character sheet.
Now the real problem with this series is the dialogue. Sometimes the dialogue is too cringe-worthy to even keep reading. When every speech bubble after the beginning exposition is something along the lines of “This sucks”, “Look at all of this technology” or ” What do you think? I don’t know what to think”, then there’s a problem. Although, the lack of giant word bubbles does help, a lot.
I don’t mind a horror story not being some deep and moving piece, but I do expect it to at least introduce me to the main characters. Again, unless you read the character sheet, then you will have no clue who anyone is. It’s not even clear at first how many people are in the comic. For most of issue one, I was convinced there were only four characters, and some weird artwork choices made it look like maybe seven or eight. To clarify, I’m pretty sure there are seven main characters. Don’t hold me to that.
Regardless of how good a story might be or intense the situations, if readers don’t care about the characters, or even know their names, then readers won’t care if something bad happens. There really isn’t a proper introduction until about halfway through issue three, and that’s only for about five of the characters.
Based off of the premise alone, if you’re into science fiction, horror or both, then you should definitely read at least the first issue. I love the inclusion of music into comic books. Like I said, the music is the best part of this series and it really helps to immerse you into the story. It would be the perfect experience if only there was actually a good story or at least decent dialogue exchanges to keep you interested.
