WOW!!!! ? Just finished Attack on Titan Season 4 Episode 1. I AM BLOWN AWAY!!! The series seems to have somehow taken a darker more visceral tone. APPLAUSE TO Studio MAPPA, Oh my GWOW!!! I care little about what the interwebs say, the animation is WAY better than that of the previous seasons. It’s like AoT just exploded into a monster of a different, scarier, more complex and serious nature; could be the new art style but judging by what I just witnessed, I’m sure the writing this season will be gripping as well.
The intro sequence was absolutely beautiful, 1000% improvement from last season. The episode started off fast, and within a few minutes I had to sit up straight, I was pulled away from planet Earth 2020.
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All the way up to the credits was a roller coaster ride of feelings; goosebumps did happen twice. The visuals put me in the mind of more vintage, and mature art style calling me back to the vein of Akira or bubblegum crisis; best anime art style I’ve seen in over a year.
The story seems to now present the devils P.o.V. challenging the viewers perception of who is right, wrong, evil, good, and who are you as the viewer rooting for because, no disrespect to Levi and the Nördlingen Scout Regimen but, the titans have fans.
On Wednesday May 25, 2016, patriotic comic lovers the world over discovered that their beloved American hero and patron saint, Steve Rogers, aka Captain America, is a secret member of Hydra, the nefarious group who played a major role in WWII Axis forces. According to Marvel “Hydra is a world-wide subversive organization dedicated to global domination. At its height, Hydra was the most extensive, powerful, and dangerous such organization in history”, basically, the bad guys.
“What”?
Many are highly offended, others heart broken. It’s probably the same as telling a kid there is no Santa Clause for the first time; it probably hurts “Right There” provoking the “Say it ain’t so” cry. Some prefer ignorance to enlightenment, living a “What I don’t know won’t hurt me” mentality. People need their fairy tales, “please, don’t challenge the story.., even if it’s all a lie”. This news must sting like a slap to the face; for some.
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Nevertheless, the world changes as time moves along; evolving alongside humanity, whether we like it or not. I’m sure people who are 70 look at the world today and say, “That’s not how you wear a baseball cap! What is this? This place sucks”. It’s the natural passage of time that makes you feel your age; witnessing things changing at an uncomfortable rate. The next generation will swear this is how it’s always been, slow conditioning to accept a new standard of what can be called the “new norm”. Is change a bad thing? Not all, but there will always be a transitional period where things are a bit uncomfortable; it’s to be expected.
I remember during my time at Marvel Comics back in 1991, things were so much more different than the Marvel everyone knows now. Nick Fury was Caucasian, now, the majority of people will only know him as a black guy. That bothered me for a while until I realized that comics are a business. They don’t want it be a niche hobby like the 80’s. They want the comics industry to be big screen, commercialized, and mainstream. That’s where the money is; getting a larger audience. How do they do that? Simple, it’s what always made comics a bit edgy. Comics have always been a great platform to mirror and parody real life. There was a gay hero when that became a hot societal topic, Black Panther when society was going through that phase, etc., etc. etc.
Captain America was created during another societal phase ie. times of war, a time period of fierce war propaganda. The American public just wasn’t that “quick on the uptake” back then. They were easily fooled, easily frightened. So, heroes were created that were in-line with the propaganda of the time period. Remember, back then, radio and TV were law, and could do no wrong; now, the world and it’s people are much more informed. We’re a much smarter society than that of 1942, a time when people still gleaned most of their news from the printed papers, and word of mouth. People are beginning to educate themselves and are discovering for themselves the dark side of the “American Idea”.
Many of us have grown up, we’re smart enough to use the internet to learn the truth about America’s dirty dealings, and it was only natural that comics follow suit to reflect this new age of information. I think this shocking revelation bothers people because, we just don’t want to believe that anything “America” is a lie, or at the very least a boat load of half-truths. America has haystacks full of ugly secrets; all you have to do is start researching. Just do research on The Bush Family Nazi connection, to begin with. America has been in bed with the enemy, or secretly was the enemy, on many occasions in our country’s history. But, is anyone up in arms that this is a reflection of America’s true shadowy history? Nope. As long as we don’t challenge the comics. People like to read for entertainment, but not to expand their mind.
Then, there is also the claim that these turn of events, are an insult to its Jewish creators even though most uniformed people are unaware that Prescott Bush (George W. Bushes Grandfather), a representative of the American government, helped finance Hitler’s campaign with the help of Jewish Bankers (Warburg). This is history. And we’re angry about a comic?
In the end, it is evident that a spoiled and privileged country and its people simply don’t like truth and this is as real as it gets. It’s easier to fool someone then it is to convince them that they’ve been fooled. The revelation hurts so much more when you discover it’s not just in a comic book; it’s a hint at truth unspoken.
Overall, I personally, applaud Marvel for understanding that the public is a lot smarter then yesterday and much more informed. Thank you for creating a story that reflects REAL LIFE.
WARNING – This article contains content with obscenities. The opinions of those featured are not associated with Giga Geek Magazine. The opinions of the author belong solely to the author.
We’ve all seen those goofy react videos on YouTube, whether it be Teens reacting to Five Nights at Freddy’s or Elderly reacting to Skrillex. These sort of videos have a lot of humor in them and I’ve been a fan of the YouTubers react series for a while now.
And then I learned something terrible.
YouTube is a platform for open creativity and it has boosted creativity and the world of gaming for the better. I’ve learned so many things from channels like Extra Credits and cried alongside Markiplier as he pours his heart out to his fans. Recently, I’ve taken an interest in the retro gaming space, curling up at night to the rants of AlphaOmegaSin or the antics of the Game Chasers. Even though these smaller channels lack views, I’ve always loved their genuine passion for making videos about gaming.
Speaking of the Game Chasers, one of the frequent guests is a guy known as 8-Bit Eric, who has been seeing moderate success with his parodies of the Fine Bros reaction videos. He reacts to the reactions with hilarious results.
Apparently Fine Bros didn’t find this as amusing as everyone else.
Fine Bros filed a copyright claim against 8-Bit Eric, forcing these videos to lose monetization and were straight up blocked globally.
This sort of conflict that tends to happen online is a classic case of cyber bullying. Eric was seeing some great feedback to his parody videos and people requested more. Fine Bros didn’t like its brand being belittled or the idea that Eric could make money off of this. So, they used their success to file the claim.
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What’s sad is that these content creators aren’t making a living off of YouTube. Most of them have to resort to Patreon or teaming up for larger projects, like selling DVDs. The smaller creators do often catch flak like this. AlphaOmegaSin has claimed to receive several nasty emails and death threats over the years, just because of saying what he thought of a situation.
Fair Use is a hard to define term, especially in the YouTube space. That very definition is what ruins a lot of perfectly good channels, who get slammed for just being creative. I can understand Fine Bros being upset at being made fun of and their footage being used in tandem with Eric’s, but there’s no need for this sort of childish backlash.
This hits home for me personally, as I’ve been watching the smaller channels affected for a couple years now. They’re constantly showing up in my feed, entertaining me to no end with their humble style. It also creates worry for my own channel and pursuits. What would happen if reaction videos could only be made by a select few? What about let’s play, or reviews by small outlets? I’d have to completely rethink how I approach videos for Giga and Forever Classic.
Rafi and Beni Fine created the Fine Bros React series to great success.
It’s sad, cause I’ve always thought pretty highly of the Fine Bros. They brought some great people into a larger creative outlet by association, resulting in some really cool Rewind videos and collaborations.
After many years of enjoying Fine Bros Entertainment, I will sadly be unsubscribing. Many will do the same.
In light of this event, I encourage everyone to find a smaller YouTube channel. Subscribe to them, engage in their content. It’s a rewarding experience and there are tons of amazing people who just need viewers or likes. There may be many channels shut down for similar, asinine reasons. Enjoy them while they last.
Share your thoughts Giga Bytes in the comments below or through one of our many social media outlets.
Recently, Giga bore witness to the majesty that is Nintendo Quest, an excellent documentary detailing the story of one man seeking to collect every retail NES game. Rob McCallum and the gang will be working with the makers of another 80s pop-culture-fueled documentary, Turtle Power, a piece on the history and influence of the Ninja Turtles. Led by Randall Lobb, this influential team of film makers and fans seeks to bring the story behind He-Man, She-Ra and the rest of the Masters of the Universe in their newest project Power of Grayskull.
Power of Grayskull seeks to be the definitive source for the history of the iconic franchise including the vintage series, She-Ra, The New Adventures of He-Man, the 200x series and beyond. Not to mention everything that fans have created over the years, such as artwork, custom toys or viral internet sensations. He-Man and the Masters have been around since the 80s; there’s a ton of content out there to cover.
Wanting to find those behind the magic, the team seeks to learn from the top minds behind the franchise, those who brought the live action series to life and the former president of Mattel. An epic list of people set to help out in the film can be found on the project page on Kickstarter. Given the previous work in Nintendo Quest and Turtle Power, Power of Grayskull will dig deep into what makes He-Man special, with rare and exclusive content pulled into light whenever possible.
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As shown by the awesome teaser trailer, this is a documentary project filled to the brim with love for the Masters of the Universe. It’s filmed and produced by fans for the fans, and with the crowd funding model it can be a reality from fan support. Provided the film reaches it goals, which looks likely, release is anticipated for 2017.
There’s no doubt that Power of Grayskull will be the ultimate documentary for the Masters of the Universe. Now, the project is left in the hands of the fans. You have the power.
A sound soul dwells within a sound mind and a sound body. – Maka Albarn
Soul Eater is a blast to watch in its anime form. From the driving guitar riff of its opening; to the fluid, over the top animation; to the tender moments between characters; there’s a lot to love in this series. After watching many episodes of the anime and coming to name it one of my favorite shows, I decided to dive into the manga a couple years ago.
Recently, I have finished what I started. This journey into madness to find what makes a soul special was a bit different from the anime. Though the path diverges at various points, the adventure is well worth exploring. Both the manga and the animated adaptation hit similar notes overall: madness, the human spirit and humor.
Artist and writer Okubo sketching the main character, Maka Albarn.
The Soul Eater manga has been in development for about ten years or so. First published in 2004 by none other than Square Enix, Atsushi Okubo penned a unique world in which Meisters and Weapons hunt down monsters to get stronger, culminating in the final hunt of a witch. Doing so, allows the weapon a massive power boost and the title of a Death Weapon, to be used by Death himself. In short, most of the main characters seek to better themselves and their weapon partners in this fashion. Twenty-five volumes hold Soul Eater’s story.
Dynamic lines show off mastery of motion by Okubo. Maka knows how to use her Scythe!
The characters do have simple designs, but this simplicity allows for more room in the plot, which doesn’t break any molds, but remains one of the most enjoyable rides in manga, having layers of meaning in each scene. The precise line-work and use of perspective also gives the artist room to depict action, creating fluid fight scenes.
Dr. Franken Stein has trouble with madness as he just wants to take things apart to study what makes them tick.
Madness permeates Soul Eater’s story as it does the world in the pages. The artwork compliments this perfectly with jagged lines and blurred splotches. Scenes with the monstrous Kishin are terrifying, even though there’s little threat to the main cast. Madness becomes the main antagonist, making it the big bad instead of a central character, although a character comes to embody that madness. Early plot lines focus on characters gaining power, while battling their own inner demons to avoid going mad.
Maka breaks during a battle with her friend Crona, making for a disturbing battle between the crazed.
What’s interesting is that the story focuses on exploring what it means to go mad. It details the process of this in many of its characters, each having unique reactions and coping strategies to madness. Black Star, a ninja wanting to be the strongest entity in the world, goes mad with power lust. He becomes godlike in his physical power, trumping all foes with brute force and rashness. Compare this to Soul Evans’ madness of inner collapse and fear of being accepted by others. Even the stoic and reasonable Maka goes crazy while trying to keep things together and breaking for a moment.
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The story also shows the triumph of the human spirit in its portrayal of the characters and the framework of the Academy. Meisters must master their weapons by perfecting their souls through battle against dark, wicked forces. The whole concept is a trial by fire, becoming especially interesting with the cast of villains. Crona, child of the witch Medusa, is one of the most peculiar characters of this theme. Lacking a clear gender and a solid mind due to Medusa’s abuse and experiments, Crona slowly develops into a demon, but does have instances of redemption.
Death the Kid has a hard time dealing with a random obsession with boobs after the final battle with madness.
Humor provides the contrast for the dark plot and themes. Some of the funniest lines are juxtaposed immediately after insane, and often gory, battles. Even at the end of the manga’s story, Okubo lightens the mood by showing how the characters suddenly have an obsession with breasts immediately after madness threatened to cover the world. As this goes on after seeing the height of Soul Eater’s plot, it feels absurd, causing laughs and anger all at once.
Medusa shows motherly love to Crona for the first time.
Yet, Death the Kid makes a comment that pulls this absurdity into the realm of reason. Crona was one of the driving forces of the final battle. Maybe his emotions affected the world as well? Death then concludes that it was due to Crona’s lack of a true mother, touching on Freudian concepts. This comedy contrasted with tragedy is what gives Soul Eater a unique tone; it’s built in layers.
Blair is a witch that is also a cat and she has no shame. Also one of the stronger witches in the series.
Soul Eater, on the surface, is an action comic of ridiculous proportions. Characters transform into powerful weapons. The sun and moon both have faces. Death the Kid is obsessed with symmetry. Blair the Witch is fan service in human (or cat?) form.
The complete manga set. Photo from Ebay.
However, as the story develops, even the absurdity starts to take on a different shape, explaining the complex notes of the story with imagery and character development. Even the books themselves, when put on a shelf, shows the progression of darkness as the spines get darker, eventually becoming pitch black. The final volume is bright white, showing the resolution of the story. Noticing this for the first time is a powerful feeling, making the connection between the artistic design and the writer’s words stronger.
Okubo has penned a masterpiece in writing and in art.
America has been in bed with the enemy, or secretly was the enemy, on many occasions in our country’s history. But, is anyone up in arms that this is a reflection of America’s true shadowy history? Nope. As long as we don’t challenge the comics. People like to read for entertainment, but not to expand their mind.
