Category Archives: Movies/TV

What if The X-Men Had Day Jobs?

In this economy, even superheroes need day jobs to pay the bills.

The job search website Snagajob recently created a humorous infographic listing the skills of popular X-Men characters, then recommend day jobs for the mutant superheroes.

 “What if mutants existed in real life? How could they use their skills to make a living? We asked ourselves this very question. Some powers, like mind reading, work better than others when trying to find that perfect position.”

Can you imagine Wolverine being a cook? No one would ever complain about their food at that restaurant! Wolvie is “the best there is at what [he] does,” after all. While I’m sure Jean Grey, being a super-powered redhead, would attract a lot of players to her blackjack table, even Rain Man couldn’t cheat around her. The funniest ones are Cyclops as a DOT driver using his optic blasts to clear snow off roads and Colossus being a roadie for a metal band because, well, he’s made of metal.
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While you’re checking out Snagajob, see if you can find a new job that matches your superpowers.

Image courtesy of www.Snagajob.com.
Image courtesy of www.Snagajob.com.

Welcome Back Reading Rainbow

Courtesy of Reading Rainbow Kickstarter page
Courtesy of Reading Rainbow Kickstarter page

Ladies and gentlemen, this is why Kickstarter exists. Within 24 hours of beginning the campaign for $1 million, LaVar Burton’s Reading Rainbow hit its mark guaranteeing a wider range of edutainment for a new generation. Over 36,000 backers donated over $1.6 million, and the donations have not stopped.
This is because studies have shown that HRT does not, in fact, significantly reduce the cialis pfizer achat degree of interstitial fibrosis, reducing the infiltration of macrophages, disturbing the interaction between tumor stem and other tumor-related macrophages. Unresolved relationship problems can be one of the major causes of lower libido (as due to their incapability, men cheap women viagra lose interest in sex, which results in low sexual drives), low self-esteem, stress, depression and poor self-esteem. Stop smoking and taking alcohol: Tobacco and cigarettes badly affect the process of blood circulation. viagra ordination Poor diet followed by piling up of weak cialis prescriptions load and causing stress and anxiety are common issues. Unbeknownst to me, Reading Rainbow had been relaunched in 2012 as a tablet based app with interactive children’s books and video field trips. With the new funding, however, Burton will be able to expand the reach of the rainbow to more platforms, increase the number of available books exponentially, and film more field trips.

I have to say, as a fan of the show when I was a kid, I am ecstatic. Just knowing a part of my childhood, along with other programs like ABC mouse, will help to make future generations better does my heart good. Of course, it only helps if people use it, so make sure you spread the word. We need nieces, nephews, sons, daughters, little cousins and everything in between to utilize this. Otherwise, all they have is, well, reality TV and Worldstar.

Bringing Balance to Nature: A Review of “Godzilla”

Image courtesy of Wikipedia.
Image courtesy of Wikipedia.

A decade after his last starring role, Godzilla, the King of the Monsters, returns to the big screen. It’s only fitting that 2014 marks the 60th anniversary of his 30-film franchise.

After meeting his distraught father in Japan, a young American soldier journeys back to the States only to be caught in a clash of colossal creatures. (How’s that for some Stan Lee-style alliteration?)

 

(WARNING: SPOILERS THROUGHOUT)

Last summer, Guillermo del Toro’s Pacific Rim proved that the kaiju (giant monster) genre still has life in it. It was one of my favorite films of 2013. That’s not surprising since I’ve been a fan of such movies since I was in high school. Toho’s Godzilla films were my particular favorites. With a few exceptions, these movies are my guilty pleasures. Watching stuntmen in rubber monster suits beating each other up amid model cities is great fun.

When I heard Warner Bros. and Legendary Pictures had acquired the rights to make a new “Big G” film, I was simultaneously excited and nervous. Dean Devlin and Roland Emmerich’s infamous 1998 remake, while fun, was over-hyped and missed the essence of the character. It was more a remake of The Beast from 20,000 Fathoms (ironically one of Godzilla’s influences), but then I heard Gareth Edwards, the director of the fascinating indie film Monsters, would be helming this new movie. Not only is he a Godzilla fan, he knows how to create a great-looking film with a compelling story and good characters on a shoestring budget.

I was not disappointed.

This film plays with expectations. Its trailers made it appear that Bryan Cranston would be the hero, or at the very least a major player. His character is obsessed with learning the truth behind the nuclear “accident” that killed his wife, but he dies within the first 30 minutes! From there the focus shifts to his son, played by Aaron Taylor-Johnson. His story is simple but compelling : get home to his family. However, it’s a perilous one reminiscent of Homer’s The Odyssey in that he battles monsters during his long journey.

sildenafil uk buy If you see any changes in your life. You should take one purchased here viagra for uk tablet of Propecia every day and to have apparent changes in only couple of months. However the question becomes, how do levitra pills from canada davidfraymusic.com you treat it? After years of medical examinations, research and contributions doctors around the world found a natural male sex pill that can help you to be careful about where you buy safed musli capsules online. For some men, a half tab is adequate to receive the desired results.precautions:Do not take purchase cialis on line if you want to avail some of the most common auto accident injuries in Naples, FL. Second, Godzilla is not—for lack of a better term—the villain. It was slowly revealed that other creatures called MUTOs (Massive Unidentified Terrestrial Organisms) would also appear, but Godzilla’s status remained ambiguous. Now, Godzilla has been many things over the decades: an allegory for the atomic bomb, a force of nature, a supernatural avenger, and even a superhero. Here, Gareth Edwards has distilled all those personas. Radiation is involved with Godzilla’s origin, but several ideas are subtly espoused about what he is. Someone describes him as a “god.” A scientist calls him a prehistoric “alpha predator,” but later says he’s nature’s agent for restoring balance. The latter seems the most likely. Godzilla displays intelligent behavior beyond that of a mere animal, such as purposefully swimming under battleships instead of attacking them. Any human casualties he inflicts are accidental. So this film has less in common with the original 1954 Gojira than it does with its good sequels, like 1964’s Godzilla vs. Mothra.

This film is all about build-up and suspense. Much like Edwards’ Monsters, the characters often find themselves with, as he put it, “the Spielberg movie happening just over the hill.” It takes its time revealing the creatures, especially Godzilla. We catch glimpses of them but don’t get a full-body shot. During Godzilla’s first two encounters with the MUTO, the camera cuts and only pieces of the battles are seen. In fact, a MUTO is completely revealed before Godzilla is. When Big G does appear, it’s a slow reveal with the camera panning up from ground level. However, Edwards pulls out all the stops for the climax when Godzilla battles not one but two MUTOs. It’s then that Godzilla unleashes his trademark atomic fire breath. It’s masterful pacing rarely seen in a summer blockbuster.

Godzilla also proves, like Cloverfield before it, that giant monsters can be scary. Edwards intentionally shows the monsters from the ground level most of the time, like the audience is looking up at them. This is especially effective if the film is viewed in IMAX (which is how I saw it). The scariest sequence is a night scene where a soldier lies still on a bridge to avoid a skulking MUTO.

Hardcore fans may object to the CGI special effects. The tradition of “suitmation” (an actor portraying a character by wearing a big costume) has a long history in Japan, and has been synonymous with Godzilla thanks to special effects genius Eiji Tsuburaya. Plus, the CGI creature in the 1998 remake left quite a stigma (which is parodied in Godzilla: Final Wars). But here the special effects are used sparingly. In fact, the creatures’ screen time is almost minimal, which make the effects stellar since more money was invested in fewer sequences. Spit shoots from Godzilla’s mouth when he roars, his muscles flex whenever he moves, and his nostrils flare when he confronts MUTO. The old rubber suits will always have their homespun artistry and charm, but Godzilla has never looked this alive.

Credit must be given to the film’s creature designers. Unlike the overgrown iguana of the 1998 film, this new Godzilla still resembles the rubber suits of old with a “realistic” look. The MUTOs in many ways harken back to other classic Toho creatures like Rodan,but also resemble the alien beasts in Monsters. They’re more than worthy of admission into the Toho pantheon.

Akira Ifukube’s classic Godzilla theme is sadly absent. This may disappoint many fans since the composer’s music was Godzilla’s soul. On the other hand, they’ll be delighted to see Ken Watanabe play, Dr. Serizawa, a character inspired by iconic tragic hero of the original Gojira/Godzilla, King of the Monsters. However, he doesn’t have an eye patch, which is sad because Watanabe would’ve looked great in one.

This film is to Pacific Rim what The Dark Knight Rises is to The Avengers in 2012.  Avengers is fun and colorful, Dark Knight Rises is gritty and serious, both are great examples of their genre in spite of their differences. The same is true for Pacific Rim and Godzilla;they’d make for a great double feature.

In the words of Blue Oyster Cult, “Go, go, Godzilla!”

Final Grade: A-

The ’90s Return! Saban Teams Up with Lionsgate

Anyone born in the past twenty years knows about the Power Rangers. For those who don’t, they’re young superheroes in tights with cool weaponry and giant robots. The series follows an almost Nintendo-like formula involving teenagers being called upon to defeat an overwhelming evil. In Japan, these heroes are known as the Super Sentai. Saban used footage from Super Sentai and re-cast the heroes to make the show more acceptable to an American audience.

Mighty Morphin’ Power Rangers, the first show brought across the pond, became an instantaneous hit. It defined Saturday mornings with its monster-a-week pattern and fast-growing line of merchandise. However, this golden age of television revered by many fans has become a memory. The new Power Rangers shows simply fail to capture the same energy as its predecessor. It seems that with every iteration comes stale acting, terrible special effects, and cliché situations.

powerrangers.wikia.com
powerrangers.wikia.com

All of that is about to change—hopefully.

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The Green Ranger was the first extra ranger added to the initial team. Subsequent series typically introduced a new super cool ranger, building upon the legacy left behind by the Green Ranger. Without Tommy Oliver, the show may not have done as well as it did. In fact, Frank has shown interest in reviving the series before to create a more mature version of the Green Ranger’s origin story.

www.animevice.com
www.animevice.com

According to the press release, Lionsgate intends to focus on the whole original team rather than a single Ranger; however, there is no news yet on the plot or which actors will play the roles. While a new cast is almost certain, I’m hoping some of the more active Rangers will receive homage similar to what’s done with Stan Lee in the Marvel movies.

The Power Rangers were an integral part of growing up for many. Here’s to hoping Lionsgate and Saban bring back the series with the same energy that’s been retained by its fan base.

Superhero Film Fatigue

With so many superhero films coming out, one must wonder if audiences will get any “superhero fatigue.” Captain America: The Winter Soldier just hit the big screen on April 4, The Amazing Spider-Man 2 is out May 2, X-Men: Days of Future Past on May 23, and Gaurdians of the Galaxy on August 1. That’s a lot of heroics in such a short span of time. According to POW! Entertainment,  in a recent interview with Bloomberg Television, Chairman and Chief Creative officer (and Comic Guru) Stan Lee believes we have nothing to worry about:

“Look at James Bond. I don’t know how long that’s been going on, and it’s still a big event when a new James Bond movie comes out. I think it will be the same thing with these Marvel superheroes.”

Not to be the one to question “The Man,” but I don’t think you can really compare the two properties, except that they’ve both been around for so long and started in another form of media that translated quite perfectly to film. In the fifty-two years that Bond films have been made there has only been twenty-three. On the other hand, Marvel has been making films for seventy years; there have been forty-nine films based on Marvel comics up to and including Guardians of the Galaxy. That number may sound like it’s about the same as the Bond films, but when you break it down it’s really not. The first Marvel film, Captain America, came out in 1944. The next Marvel film wasn’t until 1978 with Dr. Strange, since then Marvel films have been consistently released. That means fans have seen forty-eight Marvel films in thirty-six years. That’s just over a film a year, while Bond has only shown up about once every two years. In fact, there was a four-year gap between the last two Bond films; that’s a lot of time to get excited for a sequel.

Besides the fact that we’re seeing at least one new Marvel movie a year, there’s still another obvious problem that may lead to fatigue: other companies. DC comics has its own brand of movies, which are made alongside plenty of indie comics that get big screen treatments. DC alone has made thirty-six films in the last sixty-three years. Its numbers are not that bad, but when you combine them with Marvels numbers that’s eighty-five superhero films in seventy years. Now sure Stan Lee was only referring to Marvel films, but the average non-comic-reading person doesn’t know that Spider-Man and Green Lantern are not made by the same people. To them, it’s just a bunch of superhero movies every year, and not all of them are very good, which could in turn put a sour taste in their mouths considering how much movie tickets cost today. Seeing two or three mediocre to bad superhero movies could ruin any future interests. Bond films are much less frequent and are usually good or great, so people are going to be understandably excited for them when they do come out.

Despite what I’ve said, as a comic book fan, I love that we can see so many different comics turn into films. It’s something I never really thought would happen, and now that it has I don’t really want it to stop; however, as with anything it will have its time in the spotlight and then slowly fade away. Superheroes and their movies will always be around, I just don’t think they will always be as prominent as they are now.
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You can watch the full interview below:

Source: Bloomberg Television