Category Archives: Comics 101

Learning to ‘Treadwater’: A Review of ‘TRDWTR, Part 1’

A poster for the TRDWTR franchise, which includes a graphic novel series, a video game, and a live-action TV series. (Image courtesy of Darkrose Studios).
A poster for the TRDWTR franchise, which includes a graphic novel series, a video game, and a live-action TV series. (Image courtesy of Darkrose Studios).

After raising $150,000 on Kickstarter and other sources, Morgan Rosenblum has launched not only a graphic novel saga, but a new media franchise “combining the style and tone of The Dark Knight” and “the traditional mix-and-match group of character archetypes that makes ‘X-Men’ so successful.” What at first glance might seem like a by-the-numbers science fiction comic proves to be much more.

In the wake of a global economic meltdown, chaos erupts and the world’s safety is jeopardized by a new wave of crime and terror. A privately funded team of hi-tech special operatives is assembled, known as TREADWATER, the only force standing between anarchy and hope.

TRDWTR, Part 1 written by Morgan Rosenblum & Don Macnab-Stark and illustrated by Ray Dillon is the first publication by the newly-formed Darkrose Studios. The book is described as “a serious and realistic approach to the superhero genre.” I found this to be a bit of misnomer. Only one character, the enigmatic Wraith, has any of the vestiges of a superhero, such as a fancy costume and superpowers. Instead, the operatives for TRDWTR (which stands for Technological Research and Development Working Toward a Resolution) have more in common with G.I. Joe: a special forces team with advanced weaponry battling terrorist threats around the world. In fact, the aforementioned Wraith is much like the silent and deadly Snake Eyes. Regardless, both do have some shades of superheroes in them.

TRDWTR is intended to be a 30-part series, so this first volume plays out much like the pilot episode of a TV show. Most of it is setup, and being a science fiction story, it must quickly establish its characters, world and premise. The latter two is done quite well, presenting a frighteningly plausible future where Europe is in shambles, with many of its countries controlled by dictators. The characters—what the graphic novel prides itself on—take more time. With an ensemble cast and eclectic characters, some are more developed than others in this first outing, which is common practice in most ensemble series like this.

The primary focus in Part 1 is the team leader, Lucky Joe, a widower who joined the team so that its financier would provide his injured daughter with medical treatment. Since her injuries—and his wife’s death—happened in a car accident while he was driving, he blames himself for her plight and carries that guilt with him into missions, often endangering the rest of the team. His is a heart-wrenching story and I have nothing but sympathy for him. Unfortunately, the narrative fails to mention some key information that is found in character profiles in the back of the book. The most important is Lucky Joe got his name because he wears a rabbit’s foot with a magnetic device that repulses all metal objects within a six-foot radius, including bullets. That’s something that should be established within the story itself, but it’s a minor issue.

Part 1 also acts as an origin story for the German defector, Wolfgang, an assassin who once served Gen. Kirklau, the dictator of Germany. He joins the team so they will rescue the general’s son. This subplot runs throughout the graphic novel and clashes with the main plot toward the end.

The rest of the characters are distinct and have strong characterization: Dom is the foulmouthed muscle from New York, Sylvie is the token femme fatale with a crush on Joe, Jerry is the Jamaican pilot and comic relief and Kiyoshi is the cybernetic assassin. The most intriguing, however, is the mysterious Wraith. He appears only a few times and has strange and frightening powers. He emits purple mist from his Iron Man-esque armor and extends razor-wires from his fingers. The most perplexing thing about him is the circular meter on his chest, which, according to his profile in the back of the book, seems to be counting down to something. To what? I have a few theories.

Ingredients Make tadalafil generic viagra Difference As for the remarkable results produced by Vigrx Plus, the formula and ingredients take the credit, of course. The foremost reasons that make it the best show on Ayurveda, professing http://secretworldchronicle.com/2019/05/ep-9-33-left-behind/ order viagra advantageous Ayurvedic home remedies. viagra online consultation The data are being delivered when he/she becomes available. Next day I ran to see my invitation to join this cool group of cialis sales uk http://secretworldchronicle.com/2018/04/ep-9-10-get-out-alive-part-2-of-2/ women. The artwork rivals anything from the big comic companies. Ray Dillon’s photo-realistic painted style fits the story’s dark edge and reminded me of Alex Ross’ early work in Terminator: The Burning Earth. In fact, the designs of much the book’s tech have influences from James Cameron’s nightmarish visions of futuristic war. The characters are articulate, though a few of them seemed to be stuck in certain expressions in some scenes, such as CIA director Mel’s unending smile during a dinner party. Still, it’s better than the permanent sneers plastered on most superheroes during the ‘90s.

TRDWTR certainly has a modern style. There are no narrative captions, and some pages have few if any voice or thought balloons. The artwork is allowed to tell the story, and the silence creates either brisk pacing or pulse-pounding suspense, depending on the scene. However, there are a few pages crowded with voice balloons, making it difficult to determine who is speaking. In rare instances, the balloons don’t even point to a character, so the speaker must be determined by the balloons’ proximity.

Part 1 is a solid start to a series that is full of excitement and intrigue, but don’t go into it thinking you’ll get everything promised in the promotional materials. Only one of the several advertised villains makes a substantial appearance in this volume, for example, but they will return later. This is a big world, after all, so all of it can’t be crammed into every graphic novel.

Ambition is the series’ greatest asset. The graphic novel is just part of an extensive franchise Darkrose Studios is launching. There will also be a 10-episode live action TV series, a video game and a feature film. Its website includes loads of interactive content, much of which must be unlocked by taking an entrance exam to become a TRDWTR operative. In other words, the story doesn’t end with the comics.

I can’t wait for more!

Final Grade: B+

Purchase the book on Amazon.

[youtube http://www.youtube.com/watch?v=uvDVOiGybD8]

Marvel’s 75th Anniversary Cover Art Book is a Gift to Fans

'Marvel Comics: 75 Years of Cover Art' by Alan Cowsill. It marks the diamond anniversary of the comics giant.
‘Marvel Comics: 75 Years of Cover Art’ by Alan Cowsill. It marks the diamond anniversary of the comics giant.

It’s hard to believe Marvel Comics—originally called Timely Comics—is 75 years old now. To celebrate this diamond anniversary, DK has released Marvel Comics: 75 Years of Cover Art by Alan Cowsill. This massive coffee table book chronicles the history of the comic book company’s iconic covers from Marvel Comics #1 in October 1939 to the latest issues of Amazing Spider-Man.

Like many such books, 75 Years of Cover Art is light on text and heavy on art. It features a forward by Adi Granov, the artist best known for his work on Iron Man: Extremis, and a short introduction by Cowsill. There are short spotlight articles on key artists in Marvel’s history, like Jack Kirby and Steve Ditko, outlining their unique styles and their contributions to the medium. Beyond those, the text is mostly limited to sidebars describing the over 300 pages of cover artworks. It makes for easy perusing and reading. It’s an art book, after all, so the focus should be on the art itself.

“True Believers”—as Stan Lee calls Marvel’s readers—will be delighted that most of the company’s important and iconic covers are included and discussed, but it doesn’t focus on them only. There are plenty of excellent though lesser-known covers included, most by famous artists. For instance, did you know Frank Miller drew a few covers for Spider-Man comics before his legendary run on Daredevil in the early 1980s? Or that Todd McFarlane drew a few X-Men covers before creating Venom? Those are included.

75 Years of Cover Art is a well-organized book. It’s divided into four eras: golden age (1938-1956), silver age (1956-1970), bronze age (1970-1986), and modern age (1986-present). Some readers may disagree on those labels, but for the most part it is an accurate division. The sizes of the covers vary throughout. Most are as big as a toaster pastry, but the more significant ones take up entire pages. In fact, a few are shown in close-up on two-page spreads, making for beautiful, eye-catching displays. Reference notes in the text make it easy to compare different covers throughout the book. It notes important events in comic history, such as the unfortunate publication of Seduction of the Innocent, so as to explain the context and significance of the artwork. It’s also quick to mention which books influenced Marvel’s films later.

As an added bonus, the book comes with prints of Amazing Fantasy #15 by Jack Kirby and Iron Man #1 by Adi Granov. These are tucked away in a pouch on the inside front cover.

While well-organized, the structure of each section is a little confusing at first, especially once the reader gets past the golden age chapter. The artwork is arranged chronologically by series. For example, it will display all the Avengers covers for that era for five or six pages and then switch to Spider-Man covers and so on. To compound matters, the silver age section doesn’t start with Fantastic Four #1 despite that being the official start of the Marvel Universe, which may confuse longtime Marvel readers. This makes the dates of the discussed covers jump around a lot.
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A few significant artists like Frank Miller and Todd McFarlane don’t have mini-articles spotlighting them. It can’t be because they’ve done work for other companies since most of the artists the book spotlights have done that also. It’s also strange that the newer eras have fewer artists spotlighted. Now, this may be due to their work not facing the test of time yet, but one would expect they would be spotlighted as a significant talent in today’s comics. (Oh, well. At least it didn’t include any covers by Rob Liefeld.)

The book has a few pretentious moments, such as calling the cover art for Marvel Comics #1 the “most important cover of all time” (implying that because it is the first comic published by Marvel it has to be the most important). Although, this could be taken as Stan Lee-style hyperbole.

Despite these hiccups, Marvel Comics: 75 Years of Cover Art is a must-have book that will leave even casual Marvel readers exclaiming, “Excelsior!”

Final Grade: A-

 

Batman: Assault on Arkham Review

So, you enjoy watching movies involving D-list comic villains, whom you’ve probably never heard of, being ordered around by B-list villains whom you may recognize? Oh and you like Batman movies that really don’t focus much on Batman? Well have I got the movie for you! Batman: Assault on Arkham is the most recent DC animated film starring, nope not Batman, the Suicide Squad. I’ll give you a second to Google them .

Too lazy? Alright. The Suicide Squad is a seemingly random assortment of villains being controlled by the U.S. Government, or more specifically Dr. Amanda Waller, to carry out black-ops style missions around the globe. The entire team is expendable, members who are are able to complete the given mission and make it back alive get time shaved off of their sentence. Not too bad of a deal at first glance.

vlcsnap-2014-08-08-19h01m17s58Allow me to break the ice.

The Squad this time around in Assault on Arkham consists of seven members. They are all relatively unknown to most with the exception of Harley Quinn and Deadshot. Their mission is to break into Arkham Asylum and steal The Riddlers cane, which contains a flash drive. Sounds easy enough except they have to do this without alerting the guards at Arkham or Batman. There is also a subplot involving Batman attempting to find a dirty bomb that Joker hid somewhere in Gotham before it explodes. Typical boring stuff. Honestly the story here is pretty dull all around. The action and some of the one liners are really what you’re here to see, and in that sense it does not disappoint.

For any non believers out there who still think DC’s animated films are for kids, this movie will prove you wrong. It feels like the writers were trying to do everything they could to be non-kid-friendly, with all of the topless women (though nothing is shown) and death that takes place. Let the record show that I am in no way complaining about any of that. It was nice to see this movie go the more mature route, which does make sense since the film takes place in the Batman Arkham universe rather than the usual DC animated universe. This story is set to take place after the events of Batman: Arkham Origins.
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Taking a page from the games, some of the same voice actors were re-used for this film. I can’t help but feel like someone really dropped the ball with some of the casting. Sure the greats are here: Kevin Conroy (Batman: The Animated Series) as Batman, Troy Baker (The Last of Us) as The Joker, and even Nolan North (Uncharted series) as The Penguin and KGBeast. My issue is with the casting choice for Harley Quinn. It’s not that the actress did a bad job, it’s just that her voice seemed off. Since she’s a main character, it was hard to ignore. Now I’m sure most out there aren’t as particular as me and can get beyond (BEYOND!) her voice, but for everyone else it will definitely take some getting used to.

All in all Batman: Assault on Arkham is a great film. It has plenty of action and comedy to keep you interested plus a few throwbacks for those who played the games. How can I not support something attempting to bring the Suicide Squad to the general audience. I highly recommend this to all comic book movie fans.

 

Alt Control Delete – Indie Comic

Alt Control Delete Kickstarter Page


A comic book mini-series set in a world where games are transfused with nearly every aspect of life and the singularity approaches.

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THE TEAM

Alt Control Delete is a collaboration between writer Ramón Govea, DC/Wildstorm & Lion Forge Comics artist Eddie Nuñez, & the incredibly talented colorist Ander Zárate, who has painted for MarvelDC Comics, and BOOM! Studios among others.

THE STORY

Set in a futuristic world where video games have evolved into a virtual reality professional sport. Technology and games permeate nearly every aspect of life in a culture that thrives on games and competition and a society where XP is currency. The prevalent philosophy of this society walks the border of trans-humanism: man and machine are beginning to merge, but not everyone is happy about it.

In Alt Control Delete: Collapse, rising star and professional gamer, Tess is in pursuit of her AWOL friend. When Tess’s secret investigation leads her deep into the gaming underbelly of New Angeles, she is faced with a choice: risk her tournament standings and follow her friend’s trail or return to the safety of the compound and forget what she’s seen.

We are seeking $10,000 USD to finish the 24-page first issue. The script is finished, and Eddie and Ander are already working on the rest of the pages for Issue #1. All of the funds raised here will go toward the art & printing of the book, fulfilling perks, marketing, and kicking transaction fees back to Kickstarter and Amazon.

As soon as the book is finished we pitch to publishers and submit to Comixology, the largest self-publishing platform for digital comics.

COST BREAKDOWN:

$5,200—Finish the First Issue

$1,800—Printing the First Issue

$1,100—Fulfill Rewards: Printing and US Shipping for perks

$800—Pay Amazon and Kickstartr Fees

The rest goes to right to Marketing, including Promotional Art & 2015 Convention Booths)

We are kicking it forward and donating 5% of anything raised over our goal amount to other Kickstarter projects.: http://kickingitforward.org

On Day 1, we got some love from the guys at Atomic Moo and will be doing an interview on their Moocast next week!

We were also featured on the popular geek fansite You Know Whaaa!

Weekly Comics Reviews for May 07, 2014

Welcome to my spoiler filled corner of the internet where I review comics. I will be here every week with a few reviews for the (usually) newest books. My ratings are simple. I don’t use or really like number ratings. I go by Pass, Read, and Buy. See I told you it was simple. Now that we got that cleared up let’s get to reviewing some comics!

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Black Widow #6
Story by Nathan Edmondson | Art by Phil Noto

Black Widow has been a very entertaining series thus far. It is very much in the same vein as the Hawkeye and She Hulk books. They all take these fairly big and well-known characters and put them in much smaller situations. None of the universe-threatening problems are present here. In Black Widow we get to see what she does with S.H.I.E.L.D. when she’s not rolling with the Avengers. This book is very much what the Agents of S.H.I.E.L.D. TV show should have been. In this issue we see Romanova take down her old enemy Damon Dran, The Indestructible Man, and then a nice twist that all Marvel media is taking right now involving S.H.I.E.L.D. (Hail Hydra.) Apart from an ending that we keep seeing, this book has a very solid story and start to an arc. The portrayal of Romanova is so close to the movies, which is probably a big reason for me liking it so much. Why there has not been a Black Widow movie at least announced yet is beyond (BEYOND!) me. The art in this series is growing on me, but I’m still not a fan—it’s basically dark water-coloring. Be it dark or light I think water coloring gives comics an old and generic look. I know I’m the minority, but I’m OK with that.

My Recommendation: Buy

DPCARN2014003-DC11-45709

Deadpool vs Carnage #3
Story by Cullen Bunn | Art by Salva Espin

It had to happen eventually, I suppose, but that doesn’t mean I have to be happy about it. What am I disgruntled about you wonder? Deadpool clearly getting his ass kicked multiple times by Carnage. In fact Carnage owns everyone he comes across in this issue. He does it so easily too. Maybe that’s why it stings so much for me. Besides the fights in this issue, we see Carnage actually follow Deadpool’s advice and look for the signs in the world to discover what he should do next. Oh, and Shriek shows up again for absolutely no reason. The most interesting part about this book is the last page where we see Deadpool get taken over by four, that’s right four, different symbiotes. This means the final fight between these two is going to be quite one-sided—as it always should be. My problem with that is Deadpool getting rid of the symbiotes is probably going to take up a good portion of the final issue. Now I’m not the biggest fan of blood and gore, but this book is full of both and I loved it. With the story not really moving forward much, all the gruesome panels really help to keep the book entertaining. I get that it can be hard to fill out the middle of a story, but this issue seemed a bit lazy. Here’s to hoping the final issue picks back up and that we get more fat Deadpool.

My Recommendation: Read

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Nailbiter #1
Story by Joshua Williamson | Art by Mike Henderson

The cover to this book is amazing; just look at it. I honestly picked this one up solely based on that alone. Seeing the blood and fingernails in his teeth is just so cringe-worthy. It’s just a shame that the story in this first issue will make you cringe (in a bad way) just as much as the cover. I know better than most that you have to go a bit easier on first issues since they’re mostly just twenty-two-page introductions into the world of the book. This is just inexcusable though. So far the story has been nothing except boring clichés that have been done far too many times. For example, the main character is a disgruntled detective who when we first see him is holding a gun to his head, attempting suicide, only to be stopped by a phone call from a close friend. Underneath all the clichés, this story is about a detective trying to find his missing friend in a town that is “The Birthplace of Serial Killers.” In the town he meets an (ex?) serial killer known as Nailbiter, whom is going to help him not only find his pal but discover the secrets this town is hiding. I have a feeling this book is going to take a page from Halloween III: Season of the Witch and have some type of cult that’s operating behind the scenes and creating these serial killers to accomplish some (dumb) goal. There are some books that can overcome a weak story with some stunning visuals. This is not one of those cases. While there truly is some very chilling panels, the book doesn’t do a good job of setting up a creepy mood. The biggest problem is that everyone looks like a caricature and they’re always making goofy faces that I can’t help but laugh at. Hard to be creeped out when you’re giggling like a school girl.

My Recommendation: Pass

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Original Sin #1
Story by Jason Aaron | Art by Mike Deodato

Am I wrong for being disappointed at the lack of Angelina Jolie in this book? I’m just saying that I feel somewhat misled here. I thought this was going to be the first Marvel event-book in a while that I could really get behind; that joke was bad even for my standards. Moving on. “Who Shot The Watcher?” That’s the question this book poses, and honestly I’m a bit intrigued. Normally I skip event-books because after a few months they never matter anymore. Sure that slow moving fart gas (Terrigen Mist) is still floating around, but no one is really paying it any attention. The execution of this story is a bit weak. This book lays the foundation for a series of events including some random-ass Marvel heroes doing an investigation about the murder of Uatu in places that the Avengers “can’t go.” I foresee a lot of filler in this series future and I’m not looking forward to that. The team that I am excited to see more of is the combo of Winter Soldier, Moon Knight, and Gamora. It’s just so random that I can’t wait to see more of them. One thing that this book does do very well is comedy. I got a few good laughs out of this book and it wasn’t due to bad art this time. In fact, the art is quite nice here. Maybe a little too heavy on the shadows and shading, but it really helps to make some of the panels look truly amazing. Now it’s time for me to put my Marvel knowledge to the test and try to predict who the killer is, which really isn’t difficult. Marvel has done everything shy of just out right telling us who did it. Was it Doctor Doom? Nope. Was it Tarantula? Nope. Was it Aunt May? It’s plausible. Was it Doop? You’re damn right it was! Doop killed The Watcher!

My Recommendation: Buy

That’s it for this week. Come back next week for more comic book reviews, and CHIMICHANGAS.