ARTIST ALLEY: Michael Allan Nelson

May 28, 2016 Kate Kane

Michael Alan Nelson is a writer currently is residing in LA, California. With 2 awards (2004, 2011), several short comic stories based on the HP Lovecraft’s Cthulhu and Supergirl to his name, his latest run has been with a rather interesting series going by the name of Hexed.

Tell us a bit about Hexed

MAN: Hexed is about a young woman named Lucifer who makes her living as a thief in a mystical underworld, all while trying to find a way to remove the hex that has been placed on her by the mysterious Keeper of Secrets. Lucifer works for a woman named Val Brisendine who operates an art gallery as a front for hiding all the magical pieces Lucifer steals. But as Lucifer goes about her thieving way, she crosses paths with several baddies, some of whom are dangerous in the extreme. The story follows Lucifer on her quest to free herself from her hex while keeping the world safe from deadly magic and the evil creatures who wield it.

How did you get into Hexed?

MAN: I created Lucifer (and the Harlot-Keeper of Secrets) in my series Fall of Cthulhu. But as that series wrapped up, we realized that Lucifer was such a fun character that we didn’t want her story to end. We thought it would be fun to put her in a universe of my own making. Thankfully, the folks at BOOM! Studios liked the character and the idea of creating my own universe for her so they let me run with it. The rest, as they say, is history.

Who was your favourite character to write?

The Harlot with Val running a close second. While I love Lucifer, there’s something about the Harlot’s foreknowledge that is so much fun to play with. I can also use an odd diction with her that I can’t with Lucifer. Some of the turns of phrase that I like to write would sound odd coming from a young woman, but not so much from an ancient mystical god. She can be snarky, heartfelt, and threatening all in the same sentence. That’s something that would be more difficult to pull off with a human character.

Was it the character itself or the story that made you pick that character as a favourite?

MAN: The character. Everything comes from the character. Don’t get me wrong, I love the story and the arcs the characters take, but it really is their personalities that make them come alive for me. The Harlot’s underlying madness, Val’s patient frustration, Lucifer’s cross-your-fingers-and-hope-for-the-best devil-may-care attitude. Having those characters with those traits really make writing them enjoyable. If it was just moving them through plot points, it wouldn’t be nearly as much fun to write (or read).

What inspired you to work in comics?

MAN: My brother got me into it actually. He coloured comics in the 90s and knew that I’ve always wanted to be a writer. I had been struggling with novels and short stories since I was a teenager, so he asked if I thought about writing comics. So he introduced me to a few people in the industry and I started studying on the process. A couple years later, Ross Richie (the founder of BOOM! Studios) asked me if I’d like to write a short comic for his Zombie Tales anthology he was publishing. So I gave it a shot and, for some reason, he liked it and has been asking me to write for him ever since.

What is the piece you are most proud of?

MAN: Hexed. It’s by far the best thing I’ve ever written. I’m proud of most of my work, but I think the full story of Hexed, from its very beginning to the very last issue is, hands down, the best story telling I’ve done to date.

Who is your ultimate dream team to work on a comic with?

MAN: Oh, that’s a difficult question to answer and one that entirely depends on the project. There are so many wonderful and talented people in the industry that it’s hard to narrow down a “dream” team. To be honest I would just want to put them all in a room and eavesdrop on them talking about the craft of graphic storytelling.

What is your current project?

MAN: I’m trying to develop a few stories at the moment, just working on a few comic ideas and some more prose as well. I won’t have anything coming out in 2016, but I hope to see some of these ideas come to life next year.

What is a typical day in the life of you when working on comics?

MAN: I’m sure it would look quite boring from the outside. I wake up, drink some coffee and start writing. When the writing gets tough, that’s when I take a walk to help clear my head. Then I’ll head back to it, taking a break every now and then to eat or go for another walk. But my brain is pretty much toast by mid-afternoon. So I try to get as much done as early as I can. But if I spend my morning scanning news feeds or lurking on Twitter, the day ends up being a wash.

How long does it take to do a single issue script?

MAN: I’ve written some scripts in 24 hours and others have taken me a full month to write. But usually I can hammer out a first draft in a week. Then it takes about another week to do any rewrites or address any notes my editor may have.

The time also depends on the publisher/creative team. For most of my BOOM! Work, I write a complete script first before sending it off to the artists. When I was writing for DC, I would write “Marvel” style scripts which were much quicker since I was only giving a general overview of what happened on each page. However, that meant writing the bulk of the dialog after the art came back. That added a bit of extra time.

What is the process you go through?

MAN: Whenever I write a story, I usually create the interesting moments first. I’ll come up with the scenes, the tent-pole moments, then find the best way to connect them. I try to outline whenever possible since it helps if I know where I’m headed. I’ve written stories before where I had no idea where the story was going to go and, more often than not, it turned out to be a mess. Sometimes it works, but not very often. But if I have a key moment that I’m building toward, it makes creating the connective tissue that much easier for me.

Who are your inspirations?

MAN: That is a long and inexhaustible list.

What is your dream project?

MAN: A Hexed television show. It would be an utter dream to see Lucifer’s story on the screen.

If you could pick anyone to act as your mentor, who would it be?

MAN: If I could pick ANYONE, living or dead, it would have to be Orson Welles. I would give anything to have had the chance to sit in a room with him and listen to him discuss story and character, let alone have him take me under his wing. I have no idea if he could have made me a better writer, but I bet he could have certainly made me a better story teller.

Have you done anything at a convention, as in had a table in artist alley or a booth or been a guest?

MAN: I’ve been going to conventions as a guest of BOOM! Studios for over ten years now. So I’ve had a chance to meet fans from all over North America. I was even a guest at the Middle East Film and Comicon in Dubai one year. That was such a fantastic show and a great experience meeting fans from that part of the world. I also occasionally do more prose-focused shows like BEA or ALA, though not quite as much as I used to.

What was the most memorable fan moment you have had?

MAN: I’ve had so many memorable fan moments, but I think the most surprising was when a fan of Hexed came to the booth to show me her Lucifer tattoo. I was completely stunned and amazed that my story had moved someone so much that they were willing to permanently mark their body to show their love for the character. It was an incredibly humbling moment.

Have people ever cosplayed your work?

Avoiding all of the technical aspects, the simple result is that a man with ED will be able to produce the medicine. order soft cialis Most people are not even aware that they are in their earlier stage of sufferings. find now now viagra 25 mg The product is made viagra vs cialis available for quick global purchase. Impotence viagra price is one of the most common male sexual disorders that interrupt lovemaking. MAN: Yes! Last year was the first time I saw someone cosplay Lucifer from Hexed, though I had heard rumours that someone had been cosplaying as the Harlot somewhere else in the country. Oh, how I would love to have pictures of that!

How has the industry changed since you first started?

MAN: When I began writing in 2005, the industry was pretty much dominated by the Big Two. However, in that time we’ve really seen the rise of the independents like Image and BOOM! Studios. They’re taking the industry by storm and I love it! We’re seeing such great stories and ideas that go beyond the superheroes that the medium has been known for. It really is a new golden age and it’s fun to be a part of it.

How do you feel about the change to mainstream thanks to shows like The Big Bang Theory and the movies now in the cinema like Spiderman and Batman vs Superman?

MAN: It’s always wonderful to see comics and their most popular characters go on to other mediums, but I would like to see that mainstream popularity transfer to an increase in popularity for the MEDIUM of comics, not just the characters that began there. People will rave about an Avengers movie making a billion dollars and that certainly is a wonderful thing. But the popularity of the films aren’t directly proportional to the popularity of the comics. Yes, the comics a movie is based on will see an uptick in sales when the movie comes out, but I don’t believe that uptick is coming from a majority of new readers coming into the medium. And that’s what I want to see. I want to see people who love these films go and read the comics those films are based on. And once they fall in love with the medium itself, go out and find other stories they enjoy. That’s why I’m such a huge fan of The Walking Dead. Because I believe the show has brought in new readers to the comics medium. I want to see more of that.

Anything extra you would like to share:

MAN: Yes, buy my books! And not just my books, but the books of any creator whose work you enjoy. If you love someone’s work, support them so they can continue to create the stories you enjoy.

Fun time:

Who is your favourite comic book character?

MAN: Spider Jerusalem

Who is your favourite author(books)?

MAN: George R.R. Martin

What is your favourite movie?

MAN: The Princess Bride

What is your favourite band/music artist?

MAN: Joe Satriani

What is a quirk you have (like dipping fries into chocolate Sunday)?

MAN: I get really freaked out if I see someone put their socks and shoes on by covering one foot completely before starting on the next foot. You put your socks on first, then your shoes. You don’t dress one foot completely and then the other. That’s just…wrong.

Pick-

Day or night

MAN: Night.

Star trek or star wars

MAN: Star Trek

Coffee or tea

MAN: Coffee

Summer or winter

MAN: Summer

Cats or dogs

MAN: Dogs

Batman or Superman

MAN: Batman

Movies or a book

MAN: Books

Pizza or Burgers

MAN: Pizza

Coke or Pepsi

MAN: Neither. It’s all carbonated battery acid.

For those wanting to see more of Michael’s work you can find him on Facebook, Twitter and his website.

Cinema Sit-Down, Comics 101, Movies/TV, Pop Culture, Random Giga, Social/World Views, Variant News, World News

Captain America – What Happened!?

May 28, 2016 Alpha Omega

On Wednesday May 25, 2016, patriotic comic lovers the world over discovered that their beloved American hero and patron saint, Steve Rogers, aka Captain America, is a secret member of Hydra, the nefarious group who played a major role in WWII Axis forces. According to Marvel “Hydra is a world-wide subversive organization dedicated to global domination. At its height, Hydra was the most extensive, powerful, and dangerous such organization in history”, basically, the bad guys.

“What”?

Many are highly offended, others heart broken. It’s probably the same as telling a kid there is no Santa Clause for the first time; it probably hurts “Right There” provoking the “Say it ain’t so” cry. Some prefer ignorance to enlightenment, living a “What I don’t know won’t hurt me” mentality. People need their fairy tales, “please, don’t challenge the story.., even if it’s all a lie”. This news must sting like a slap to the face; for some.

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Nevertheless, the world changes as time moves along; evolving alongside humanity, whether we like it or not. I’m sure people who are 70 look at the world today and say, “That’s not how you wear a baseball cap! What is this? This place sucks”. It’s the natural passage of time that makes you feel your age; witnessing things changing at an uncomfortable rate. The next generation will swear this is how it’s always been, slow conditioning to accept a new standard of what can be called the “new norm”. Is change a bad thing? Not all, but there will always be a transitional period where things are a bit uncomfortable; it’s to be expected.

I remember during my time at Marvel Comics back in 1991, things were so much more different than the Marvel everyone knows now. Nick Fury was Caucasian, now, the majority of people will only know him as a black guy. That bothered me for a while until I realized that comics are a business. They don’t want it be a niche hobby like the 80’s. They want the comics industry to be big screen, commercialized, and mainstream. That’s where the money is; getting a larger audience. How do they do that? Simple, it’s what always made comics a bit edgy. Comics have always been a great platform to mirror and parody real life. There was a gay hero when that became a hot societal topic, Black Panther when society was going through that phase, etc., etc. etc.

Captain America was created during another societal phase ie. times of war, a time period of fierce war propaganda. The American public just wasn’t that “quick on the uptake” back then. They were easily fooled, easily frightened. So, heroes were created that were in-line with the propaganda of the time period. Remember, back then, radio and TV were law, and could do no wrong; now, the world and it’s people are much more informed. We’re a much smarter society than that of 1942, a time when people still gleaned most of their news from the printed papers, and word of mouth. People are beginning to educate themselves and are discovering for themselves the dark side of the “American Idea”.

Many of us have grown up, we’re smart enough to use the internet to learn the truth about America’s dirty dealings, and it was only natural that comics follow suit to reflect this new age of information. I think this shocking revelation bothers people because, we just don’t want to believe that anything “America” is a lie, or at the very least a boat load of half-truths. America has haystacks full of ugly secrets; all you have to do is start researching. Just do research on The Bush Family Nazi connection, to begin with. America has been in bed with the enemy, or secretly was the enemy, on many occasions in our country’s history. But, is anyone up in arms that this is a reflection of America’s true shadowy history? Nope. As long as we don’t challenge the comics. People like to read for entertainment, but not to expand their mind.

Then, there is also the claim that these turn of events, are an insult to its Jewish creators even though most uniformed people are unaware that Prescott Bush (George W. Bushes Grandfather), a representative of the American government, helped finance Hitler’s campaign with the help of Jewish Bankers (Warburg). This is history. And we’re angry about a comic?

In the end, it is evident that a spoiled and privileged country and its people simply don’t like truth and this is as real as it gets. It’s easier to fool someone then it is to convince them that they’ve been fooled. The revelation hurts so much more when you discover it’s not just in a comic book; it’s a hint at truth unspoken.

Overall, I personally, applaud Marvel for understanding that the public is a lot smarter then yesterday and much more informed. Thank you for creating a story that reflects REAL LIFE.

~Jack~

——————————————————
Author: Montemoiño Jack

Editor: Kate Kane

Cinema Sit-Down, Comics 101, Movies/TV

Rick Talks Batman vs. Superman: Dawn of Justice

April 8, 2016 Jack Montemoiño

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WILLIAM RICK LLANERAS · THURSDAY, APRIL 7, 2016
Edited by: J.A.M.

Last night, I finally went to see the new Batman Vs Superman: Dawn of Justice movie. Here’s my Spoiler-Free review…

First off, I don’t know what the f–k people were thinking when they labeled this a “bad” movie. What in the world were they looking for? It’s a popcorn flick, not Shakespeare! This movie was great! I also heard people griping that it had too many plots and side stories, and too much was happening all at once, so they couldn’t follow the story. In reality, it incorporated many different stories/plots from past Batman/Superman comics. So if you’ve never read a good Superhero comic I can totally understand one’s inability to follow various story arcs that occur concurrently. However, if you are an avid comic book fan (or at the very least, a soap opera fan) and still couldn’t follow this movie, that’s on YOU, not Director Zack Snyder. He did a good job with this one.

Was it perfect? No. Despite it’s 2:33 runtime, I personally think it should have been longer. Certain parts should have been expanded for character depth and clarity. –Hopefully, that’s what the announced R-Rated Director’s Cut on Blu-ray will offer. I also selfishly admit I really wanted to see Batman kick more ass. lol. Regardless, it’s waaay better than the reviews it’s been getting lately. –Many of which were written by “fanboys” who always expect a movie to directly follow it’s comic book counterpart. These Sphinters always catch titty-attacks whenever a director exhibits creative control and slightly deviates from what we’re all used to. Yes, at times that can backfire. (See the 2011 Green Lantern movie, and the recent 2015 Fantastic Four movie. Well, actually DON’T see them. They’re both horrible!) In the case of Batman vs. Superman, it worked! Just like Marc Webb’s recent re-imagining of Spider-Man in The Amazing Spider-Man (2012), Zack Snyder’s interpretation was well done.

As for the stars, Gal Gadot was a very cool Wonder Woman. Jesse Eisenberg’s Lex Luthor was good, but could have used a little more depth to better explain his maniacal mindset. Henry Cavill was good as a very conflicted Clark Kent/Superman. Amy Adams was ok again as Lois Lane. Jeremy Irons was a cool “modern” Alfred. Happily, one of my character criticisms from the 2013 Man of Steel movie was slightly rectified, as Diane Lane’s Martha Kent was used a little better this time around.

Now for the part many of you have been waiting for… Ben Affleck. Um… Where do I start? HE WAS F—NG GREAT!!! Not only as Batman, but especially as an anger-driven Bruce Wayne in a world that was changed suddenly, dramatically, and violently when Zod and Superman entered it. In this new world of God-like beings, even Batman had to evolve. He was already becoming a little more violent and extreme in his tactics, but to rid the world of what he perceived as a global threat, he had to step up his game up even more. Affleck looked the part. He fought like Batman is suppose to fight! His costumes were awesome. His Batman voice was cool! –Definitely better than Christian Bales’ Batman voice. Seriously, is it me or did Bale’s Batman voice always sound like he was forcefully pushing a turd out of his butt. lol. For all of you people who hated on Affleck the day he was cast in the role, (yes I remember seeing MANY Facebook post crapping on the guy), you were dead wrong! –Just like everyone who criticized Michael Keaton when he was first cast as Bruce Wayne/Batman back in 1989, and everyone who complained when Robery Downey Jr. was cast as Tony Stark in 2008’s Iron Man. I’m one of the few who had faith in Affleck’s ability to take on this role. I’ll repost my original Facebook post from August 23rd, 2013 proving my prediction, right after I finish writing this. I was happy to see he proved me right and delivered a great performance.

Overall, on a scale of 1 to 10, I give this flick a strong 8. It’s a good starting point for future Justice League movies. So f–k what the critics say and go see it for yourself. Even if you don’t think it’s as good as I do, I guarantee you’ll think it’s better than the current media reviews of it. Definitely a Day-1 pick up on Blu-ray for me! —WRL

Cinema Sit-Down, Movies/TV

John Goodman is the Real Monster in ‘10 Cloverfield Lane’

March 28, 2016 Nathan Joseph Sitton Marchand

It’s been eight years since Bad Robot’s unorthodox kaiju (giant monster) film Cloverfield was released. Now a “sequel” has slipped in under the radar with 10 Cloverfield Lane. Is it just as terrifying, or does it succumb to the monstrous tropes that plague most horror movies?

Having just survived a car accident, a young woman (Mary Elizabeth Winstead) wakes to find herself held in a bunker by a paranoid man (John Goodman) who claims the world has ended and the surface is uninhabitable. But after talking with another bunker dweller (John Gallagher, Jr), she wonders if everything is as it seems.

A large part of Cloverfield’s success was its brilliantly enigmatic viral marketing campaign. The creature was never shown in any of the promotional materials, leaving it ambiguous as to what it was about. The mystery spawned theories all over the internet (some even going so far as to say it was a secret Godzilla movie), creating a surprising amount of hype. While it technically wasn’t the first “found footage” film ever produced, I’d argue it started the current trend for that style, particularly in horror (although it was amplified by Paranormal Activity). Say what you want about the finished product—whether it was terrifying or nausea-inducing—but it’s impact is indelible.

I say all that because the complete opposite was done with this “blood relative” or “spiritual successor,” as producer J.J. Abrams calls it. I somehow didn’t know about it until January because the promotion was surprisingly sparse. Plus, the film isn’t done in the found footage style. Indeed, it seemed to have little in common with the original aside from a commonality with the title. I didn’t know if it’d be a creature feature, let alone a kaiju movie, aside from a recent trailer that hinted at something huge threatening the characters.

The truth is this is a sequel devoid of “sequel-itis,” as one of my writer friends once said. It has none of the characters from the original, a completely different style and a different setting (Louisiana instead of New York) . There are references to events happening in the world at large, but they aren’t necessarily direct ties to preceding film. Honestly, it’s a stand-alone story someone who’s never seen Cloverfield could watch and not be lost. That isn’t to say that fans of the original, like myself, won’t be rewarded. (More on that in my spoiler section).

10 Cloverfield Lane is a refreshingly old-fashioned horror film. Absent are the cheap gimmicks of excessive gore and stupid characters. If I had to describe it in one word, I’d say, “Tense.” As soon as Michelle, the heroine, awakens after her car accident, there’s almost no respite from the suspense. The filmmakers create fear through setting and character. The bunker is claustrophobic and isolated. Howard, the conspiracy theorist who built it, seems at once to be well-meaning and insane. His claims that the world has ended never seem to be quite accurate. His social awkwardness and temper only inhibits his ability to communicate. As the film progresses and more clues are uncovered, the tension only continues to mount until it reaches a boiling point the last 15 minutes. Bad Robot is to be commended for taking advantage of these and keeping it classy in a genre replete with trash.

Horror stories are often only as good as their antagonists, and 10 Cloverfield Lane is no exception. John Goodman is yet another comedic actor who’s proven he has a wide range. He is simply terrifying in this film. But his character is at once likable and pitiable. He rescues Michelle after her accident. His family, he says, left him years before. He truly believes he’s protecting those in the bunker from mysterious dangers topside. The problem is he’s paranoid and possibly delusional. He has little tolerance for having his authority questioned or his rules broken. While he doesn’t get violent, a threatening aura emanates from him. Only in a few scenes does that let up, and even then it was simply a respite for the audience to relieve tension.

While Goodman is certainly the best actor, his co-stars aren’t lightweights. Winstead plays a resourceful and smart heroine. She’s not easily persuaded by Howard’s claims of the apocalypse. She uses her skills as a fashion designer—seriously—and limited resources to overcome obstacles. But more than that, she’s a young woman who runs from everything whenever it gets tough. She leaves her fiancé—voiced by Bradley Cooper over a cell phone, by the way—at the beginning of the film because they had an argument. Now she’s being forced to face fear. In a genre where women are usually helpless victims or top-heavy eye candy or both, it’s great to see a character in the vein of Nancy from the late Wes Craven’s classic A Nightmare on Elm Street. Gallagher plays Emmitt, a fellow “prisoner” in the bunker. He may be dumb, but he’s loyal and fun-loving. He doesn’t turn into comic relief, though, at least not in the traditional sense. He cracks a few jokes and tries to lighten the mood, but that only happens a few times. He becomes Michelle’s friend and ally in trying to escape the bunker.
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The script itself is tightly written. Every line and scene has meaning, whether it’s an insight into the characters or a foreshadowing of things to come. Each question is answered; every mystery explained (the ones raised within this film, at least). The pacing is just right, never moving too slow or at breakneck speed.

(SPOILER WARNING!)

Is this a kaiju movie? No, it isn’t. It is a creature feature, though. When Michelle escapes to the surface at the end, she discovers that aliens have invaded and are now scouring the countryside for survivors.

So, how does this connect to Cloverfield?

My theory is the monster in the previous film was a bio-weapon used as part of what Howard called “the first wave” of the extraterrestrial attack. This is also implied because the one alien seen in 10 Cloverfield Lane—which was essentially an attack dog that is sure to be someone’s nightmare fuel—had a similar physiology to the Cloverfield monster. Since the creature’s origin was never revealed and only theorized upon by the characters, that gap could easily be filled by a film like this. Also, keep in mind that both films have focused stories with isolated characters. They’re cut off from the rest of the world right as a crisis erupts. This ambiguity gives the filmmakers at Bad Robot enough leeway to expand on what was happening. Admittedly, these connections are implied and not stated, but I think that’s part of the fun of this, well, franchise.

(SPOILERS END)

10 Cloverfield Lane is not only a remarkable horror movie but an excellent film. In an era that sees the horror genre inundated with schlock, a film like this are a breath of fresh air. It shows that horror is best done when it includes good stories and characters.

Final Grade: A-

Cinema Sit-Down, Movies/TV

But I Digress… Episode 34: My Top 5 Favorite Films of 2015

February 25, 2016 Nathan Joseph Sitton Marchand

Being the resident movie guy at Giga, I made the latest episode of my YouTube show about my top five favorite films of 2016–including a few I didn’t review for your favorite geeky e-zine!

“But I Digress…”
Hosted by Nathan Marchand

I’m a little late to the party with this one, but in this episode, I discuss my top five favorite films of 2015. I even get a visit from Nerdimus Prime–who is suddenly *not* an alternate mode for me. Weird.

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Please comment, subscribe, and share!

www.NathanJSMarchand.com

Nathan’s YouTube Channel.