A few weeks ago, I wrote an article about the latest news from Toho— the studio that created everyone’s favorite kaiju Godzilla—on its upcoming monster epic, Godzilla: Resurgence. A teaser trailer and a poster were released. A mild controversy erupted among fans over Godzilla’s new design, which they described as “lacking personality.” I offered a brief defense, but it should be noted that the only hint at the new design is a close-up of Godzilla’s face on the poster.
Health ailments: Health conditions that are unica-web.com viagra samples online poor and really unnecessary. As humans give unica-web.com purchase generic cialis them out through perspiration, they are subconsciously detected by nose, brain and nervous system. Here, the cialis price in canada article contains some important information for this condition, causes and its prevention. In Brazil the World’s Strongest Acai is buy tadalafil mastercard becoming extremely popular. Co-director/screenwriter Hideaki Anno (Neon Genesis Evangelion) has promised this will be the “scariest Godzilla yet,” and the design certainly reflects that. Given that the film’s other co-director, Shinji Higuchi, recently helmed the two-part live-action film adaptation of the popular manga/anime Attack on Titan (which I seriously need to watch now), it’s no wonder Godzilla looks like one of the titular giants from that series. What I find most striking is that Godzilla’s appearance looks burned and scarred, his skin like that of Freddy Kruger from A Nightmare on Elm Street. Could this be an indication of the damage done to him by radiation?
Higuchi has said that Big G will be brought to life using what he calls “hybrid” technology, which is used in the Attack on Titan film. This involves using a combination of CGI and shots of live actors on sets. In other words, Toho aims to combine the best of both worlds from its “suitmation” history and Gareth Edwards’ reboot. I, being a fan of both, look forward to seeing what Toho produces. Although, there has yet to be a domestic release date announced for Godzilla: Resurgence.
Gareth Edwards’ Godzilla proved to be a monstrous hit summer 2014, and now the King of the Monsters will return to his native Japan. Toho, the studio that created Big G, announced last December that it would be making a new unrelated film, which makes this the third reboot for the franchise excluding the American films. It’ll be the 31st Godzilla film and the 29th created by Toho, which hasn’t released one since 2004’s Godzilla: Final Wars.
News on the new film was quiet until last week when Toho released a 30-second video that is the textbook definition of a teaser trailer. Not since Christopher Nolan’s first trailer for The Dark Knight has there been a more mysterious preview for a film.
The 30-second spot is a found-footage-style shot of a panicked crowd running from something in the distance. It ends with a title card and Godzilla’s trademark roar. That’s it; nothing on the plot or characters. Whether the entire film will be done in a found-footage-style, a la Cloverfield, or if this is just a clip from an otherwise traditional movie remains to be seen. Personally, while found footage would be a new direction for the franchise to experiment with, considering Cloverfield’s attempt at it has gotten mixed responses (though I liked it), that may not be the best option. However, if these filmmakers think they can do it well, by all means try it.
The poster for the film that revealed Godzilla’s new design.
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Story has it the special effects will be a combination of CGI and practical effects. It sounds like Toho wants the best of both worlds: taking cues from Edwards’ film while also adhering to its “suitmation” roots. Whether this works or not will probably make or break the film.
Regardless, the movie is in great hands since it has two noteworthy directors. Hideki Anno, who also wrote the script, is the co-creator of the classic anime Neon Genesis Evangelion: a trippy and cerebral giant robot series that deconstructs the “mecha” subgenre. Shinji Higuchi has also worked on anime, but his most recent project is directing the two-part live-action adaptation of the manga/anime Attack on Titan, which told the story of humanity battling cannibalistic giants. Anno has said that this will be “the scariest Godzilla yet,” and given both directors’ track records, it may very well turn out to be true.
Godzilla: Resurgence hits Japanese theatres July 29, 2016. No word yet on an American release.
Attack on Titan swept across the world like the titular Titans in their assault on humanity. Soon, Mikasa, Eren and Armin became household names to anime fans everywhere. Conventions filled with Survey Corps members, all clad in tan and white, their green cloaks draped over their shoulders. It’s a phenomenon that has spurred one season of anime (season two set to be released in the second half of 2016), countless manga spin offs, a live action film series, video games and merchandise.
Group cosplay is especially epic with this series. Image courtesy of breakbang.com.
The first of these two films sum up about the first ten or so episodes of the anime. It tells the story of the first assault on the farming district and caps off after a fellow titan offers a bleak ray of hope for the world.
Fans of seeing anime faithfully recreated with all the details intact may not enjoy this version of Attack on Titan. The creators of the live-action film decided to give their own spin to the story and the characters, making vast changes to even the main cast. Even though these changes are painful to followers of the series or manga, they do have a uniqueness that adds to the overall impact the series has established.
The faces of the Titans will probably haunt my dreams for a few weeks. They hold a wrongness about them.
First of all, all of the major themes of the anime are intact. Humanity meets its demise face to face as the Colossal Titan kicks a hole in the impenetrable wall. The smaller titans swoop in, scooping up people, and crunching on their bones. Gore sprays in waves in this film, making the iconic brutality of Attack on Titan that much more intense. The titans feel less like monsters and more like Japanese horrors with uncanny faces and movements.
Eren shows his determination, feeble as it may be, to destroy the titans.
Lastly, unbridled rage remains in the character of Eren. He clashes with his fellow soldiers, wanting nothing more than to eradicate every titan for taking what he holds dear. His anger manifests in several ways throughout the film, keeping that theme firmly intact. All while being contrast with his fear of the titans, seeing their strength firsthand.
As for the differences, I’ll do my best to elaborate on some of the major ones without ruining the fun of the movie, but you may get a spoiler or two if you haven’t seen the anime.
Super uncomfortable scene, but shows the differences in this version of Mikasa.
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Where’s our blonde strategist? Let’s play “Where’s Armin?”
Another major change to characters is that of Sasha, the spunky, energetic member of Eren’s squad. She’s portrayed in a way that exaggerates her infamous “Potato Girl” scene to the point of it being obnoxious. Sasha of the film is more of a nuisance than comedic relief, as she disgustingly gobbles up any food she can get her mitts on. She does seem to have a better connection to Armin though, which is quite cute. However, it’s hard to tell the difference between Armin and Eren due to Armin’s recent choice in hair dye.
Hiana, a character new for the film, leads Eren deeper into the abandoned cities. What they find is a bit bigger than they hoped. . .
The style of this live action adaptation—adaptation being a crucial keyword here—while different from the source material, is still rather enjoyable. I found myself cringing much more through this bloody adventure, but there are many epic moments with the flair I’ve come to love from the series. One scene in particular shows Eren and Hiana searching for a baby’s cry, turning the movie into a dark, scary experience as they hold interestingly designed lanterns aloft. Combining moments of horror like this one with the visual style put into the titans themselves makes for a scarier story.
The film’s final act fits one of the high points of the anime quite well. Eren’s rage for the titans brings him to make a sacrifice, only to have his anger live on in a devastating way. This scene is still as adrenaline filled as the first time I saw it in animated form. Each piece of action hits hard, fast, unexpected to make for a great climax.
The visuals sometimes feel like late Godzilla or Gamera films.
Of course, this movie is broken into two parts, with a sneak peak at the end of this one. It’ll be interesting to see how the second part plays with the second season of the anime. I’ll definitely have to check it out soon.
Step into the Attack on Titan Live-Action movie with an open mind. This is a different version of the Attack on Titan story, themes, and style, not a mirror image of the anime with actors.
The film is available in English subtitles through importation on sites like Amazon, while an English dub is surely to show up in the future.
