Tag Archives: Sony

King of Fighters 14 Announced for PS4!

September 21, 2015 Nathan Joseph Sitton Marchand

SNK Playmore announced at the Sony’s Tokyo Games press conference earlier this week that King of Fighters, a 21-year-old fighting game franchise, will return as a PlayStation 4 exclusive next year with King of Fighters XIV.

[youtube http://www.youtube.com/watch?v=o2wU_1y3NkQ]

This came as a surprise since the last KOF game was released in 2010 in arcades and in 2011 on consoles. With SNK Playmore shifting focus to pachinko games in Japan, it was figured KOF was dead. Granted, KOF XIII would’ve been a great game to go out on, but at one point this franchise was a serious competitor—at least in Japan—with Capcom’s Street Fighter series. Now, once again, Capcom will have to contend with KOF since Street Fighter V will also be released as a PS4 exclusive in 2016.
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Some have complained that the graphics look subpar, even going so far as to call them “ugly” or compare them to the King of Fighters: Maximum Impact games on PS2. Well, this is a teaser trailer for a work in progress. Besides, the linchpin with all video is always gameplay.

Personally, as a fighting game fan, with this and SFV exclusively on the PS4, I have more incentives than ever to get the new Sony console.

Game File, Games and Software, Industry Now

The Best of E3 2015

June 22, 2015 Alex McCumbers

E3 has always been one of the most exciting events for gamers everywhere. It’s a prime opportunity for developers to show their latest work and for journalists to become nocturnal. Ever since the days of G4, in which Sessler and Webb reigned supreme, I’ve huddled around the tv, full of anticipation. Each expo brings showmanship, new technology and, most importantly, more games.

Although E3 has settled down over the years due to it being closed to the public, it remains the most exciting event in the industry. The following list is a collection of things that blew me away this year, but feel free to share with us your favorite moments.

5). Minecraft Hololens

Hololens was announced before E3, but never before had a live audience been able to experience this amazing tech. By using a special camera that projected the experience, Microsoft proves just how capable and viable Hololens is. This presentation also showed off the showmanship of the Microsoft staff, making them fun to watch. Buying this intellectual property was a good move for the company as Minecraft has been a milestone in gaming history; Hololens will hopefully take that one step further.

4). Horizon: Zero Dawn

One of the most unique games to come out of E3 2015 was Sony’s reveal of Horizon: Zero Dawn. Thematically, the game combines elements from prehistoric times and a bleak, robot ruled future. The gameplay shown is awe-inspiring as the main character stalks what is presumably a food critter, only to be intercepted by a metallic T-Rex. Battle ensues, as the heroine is forced to take the beast down. It appears players will have to use weapons created from scraps scattered around the world and slowly dismantle the defenses of large creatures, all while trying to survive. Hopefully more information on this dynamically different game will be revealed soon.

3) Nintendo World Championships

Before the days of online multiplayer and getting pentakills, players had to physically attend tournaments, often traveling thousands of miles and having to record their skills on tape to enter. One of the most notorious of these early events was the Nintendo World Championships. These competitions had players playing a special tournament cartridge with several challenges built in. These cartridges are now sought after by collectors, being some of the most expensive games on the system.

Unfortunately, the World Championships faded into nostalgic obscurity, the last one held in 1990. However, in 2015 Nintendo comically announced the classic event is coming back. It was awesome.

Players, hand picked by Nintendo for various reasons, competed in Splatoon, Metroid Prime: Blast Ball, Mario Maker, and more to be crowned the champion. Each player brought out awesome skills for each game, making every moment exciting.

Hopefully this event becomes an annual tradition.
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2) Final Fantasy VII

Sony floored its audience with a single trailer.

While most believe this reveal to mean that one of the most critically acclaimed games of all time will finally get a remake, I’m convinced that there could be more to the story. I’ll elaborate more on my theories in a later post. More official information will be shared this winter.

Fallout 4

Before E3 officially began, Bethesda held its press event—one of the best presentations I’ve seen in a long time—showing off titles like Dishonored 2 and Doom. Their energy was abundant, the games were fantastic, and the fans were loving every second of it. Of course, everyone patiently waited for Fallout 4.

I had my doubts about the project after the trailer was released. However, I was completely blown away by what was shown at E3. The sheer amount of content being jammed into this game is staggering. Combat will be streamlined, fitting more in line with a shooter than an RPG, while retaining the classic elements established in past installments. Random junk is no longer just fun to horde as each piece can be used to construct other things. Many, many aspects of the game can be personalized from armor to weapons and beyond. Mods will also be playable on the console versions, even though the Xbox One will be getting them before the PS4.

While my list of improvements may seem like a lot, the official list of what’s being added is several pages long. Seriously. Not only that, but the collector’s edition of the game comes with a working Pit Boy that can be connected to a smart phone. Its everything I’ve ever wanted from the Fallout franchise, presumably. We won’t know till the game comes out in November, but its not going to stop this title from being another Bethesda masterpiece.

To truly experience what’s been revealed for Fallout 4, watch the video below.

Now that E3 has come and gone, I feel that there are true strides being made in the gaming industry. I do wish someone would teach Square Enix how to do a proper gaming presentation, but I digress.

Cinema Sit-Down, Movies/TV, Pop Culture

The Interview or: How Hollywood Learned to Start Worrying and Fear the Bomb

December 23, 2014 Kyle Sanders

Don’t mess with North Korea. That appears to be the sentiment the country wants you to believe. If you mess with the North Korean bull, you’re going to get the North Korean horns—or at least the “threat” of those horns. Case in point: the writers and producers of the upcoming film, The Interview, thought it would be a funny idea to produce a film with a script involving a talk show host (James Franco) and his producer (Seth Rogen) booking an interview with North Korean leader Kim Jong-un and getting entangled with the CIA in a plot to assassinate him. A seemingly funny political comedy starring the two leads from the very funny Pineapple Express that involves the very funny concept of killing a very funny (well, funny looking perhaps) world leader? What could POSSIBLY be wrong with that?! Well, apparently a lot.

Since day one of the film’s announcement, The Interview has—so to speak—been in the hot seat. Since the film’s completion, North Korea has been up in arms about it, suggesting it as an “act of war” and promising retaliation if the film was ever released. They even begged President Obama to stop the release of the film, for fear that Kim Jong-un might actually see it. So when that wasn’t enough, their next step? Malware, of course. Late last month, Sony (the film’s distributor) was left in complete disarray with hacked emails releasing private conversations criticizing Hollywood A-listers (who would’ve guessed some studio executives find Leonardo DiCaprio to be “disgraceful” or that Angelina Jolie has “minimal talent”?) as well as several unreleased movies leaked online before their release. The Interview was NOT included among those leaked films, so go figure as to how U.S. Intelligence linked the North Korean government to the hacking.

Yet even after the Malware shitstorm, the worst was yet to follow. A mysterious group known as the “Guardians of Peace” sent out a warning last week, suggesting attacks of the September 11 variety on movie theaters that were scheduled to show The Interview. These so-called “Guardians” suggested that anyone going to the movie theater or those who lived near one should keep their distance. Needless to say, the Guardians of Peace had everyone’s attention: movie theater owners, Sony and even the president.

The movie industry is a complicated machine. On the one hand, movies are an artistic expression, a tool to tell a story using audio and visual aspects in creative and astounding ways. On the other hand, it’s a cash cow: franchises, sequels, remakes, musical adaptations, happy meal toys, et cetera et cetera—Hollywood can squeeze a buck out of any movie it wishes, but to receive that money, they must milk it out of the masses to buy the overpriced movie tickets and fill up those stadium theater seats. What happens, though, when a supposed terrorist group threatens to harm the masses if they go see a movie? Well, the movie—in this case The Interview—gets scrapped. Sony’s decision to pull the plug on The Interview’s release has caused quite a bit of controversy inside and out of Hollywood, and has left many questions concerning the future of film distribution.

Here’s the thing: Hollywood has been bullied before. There have been many controversial films to be released that have sparked outcries from specific organizations and collective groups tracing all the way back to the early twentieth century (The Birth of a Nation, anyone?). And did Hollywood let up? No. The Interview isn’t the first film to lampoon a public figure. There have been a lot of references to Charlie Chaplin’s The Great Dictator, a film that parodied Adolf Hitler—ADOLF FREAKIN’ HITLER!—as he was beginning to take power as dictator of Nazi Germany. And what became of that film? It has its own Criterion Collection release! More importantly, there were no terrorist attacks on American movie theaters that showed that movie.

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And I think that is where the controversy stings the most. Where will the lines be drawn? If this film isn’t allowed to be seen in theaters, what about future films? I don’t want to live in a world where some bizarre organization bans together to send terroristic threats just because they don’t want to see a movie get released. If we bow down to these Guardians of Peace jerks, what is to stop a vigilante group of primatologists from threatening movie theaters with “simian flu” just because they don’t want to see another Planet of the Apes sequel? Or how about a rag-tag group of renegade Shakespearean actors waging total guerilla warfare on cineplexes showing a new film adaptation of one of the Bard’s classics? Perhaps I should refrain from providing anymore examples, as it could provide more cinephile cuckoos with ideas, but the point is, submitting to one threat opens the door to plenty of others, which is just cowardly and stupid. But there’s got to be something else to this decision…

I found out a little tidbit about The Interview’s budget: it cost over $40 million to make. Hmm, very interesting. I get the sense that the reason Sony cancelled The Interview was due to lack of profit. As I stated before, if someone threatens the masses with consequence for seeing a movie—meaning: PAYING to see said film—then obviously the moviegoer will refrain from doing so. As will the theater owners. And if a film can’t be seen because a viewer/theater is too scared to see/show it, how will it make money? How will a film become profitable to the movie studios that paid for its production costs? It won’t. It can’t. So it gets pulled…for now.

Let’s be clear, The Interview WILL be seen (in some shape or form). This cancellation is really only a delay until the studios can find an alternative route(s) to release the motion picture. $40 million ain’t pocket change, ya know? So while the nation continues its uproar over how Hollywood has been blackballed, rest assured Sony will get its money out of The Interview. If anything, this is a good marketing ploy for The Interview: a film so controversial, that lives have been threatened if it gets released. Well then—GOTTA SEE IT! And don’t worry, you will. Sony will make sure of that…

Film/Television/Broadcast/Radio, Movies/TV

Godzilla DVD/Blu-Ray Guide (Part 4): The Millennium Series

September 16, 2014 Nathan Joseph Sitton Marchand

If you missed them, read Part 1, Part 2, and Part 3.

Now we come to the latest series of Toho’s Godzilla films: the Millennium Series (1999-2004). This is the shortest era of films in the franchise and the easiest ones to collect since the U.S. distribution belong to Sony only .

After the fan backlash from Roland Emmerich and Dean Devlin’s 1998 remake, Toho—who had originally intended to wait a decade before making a new Godzilla film—accelerated their plans for the King of the Monsters by rebooting Big G for the new millennium. While the Showa Series had a loose continuity and the Heisei Series had a (mostly) tight-knit continuity, most of the Millennium Series films are stand-alone stories. It is an interesting way of doing things, though most of them aren’t as good as the previous movies.

(Note: I currently only own DVDs of the films from this series, but I’ve done my homework on the Blu-ray releases).

To paraphrase Blue Oyster Cult, “Go, go, Godzilla” one more time!

Godzilla 2000 (aka Godzilla 2000: Millennium)

Sony (DVD)

In a surprising turn, Sony gave this film a wide theatrical release in the U.S. during the summer of 2000. It remains the only Toho Godzilla film I’ve seen in a theater (it’s one of only two released in my lifetime, but I was two years old when the first was released). Sony’s DVD for this film was impressive for its time, but still falls short. Only the slightly re-edited dubbed version was included when Toho provided Sony with the resources to include the Japanese version. (Adding insult to injury is the inclusion of a French language track for whatever reason.) However, it’s in widescreen and includes a handful of special features, including trailers, behind-the-scenes footage, and an informative commentary by the team that dubbed it.

Sony (Blu-ray)

Since it played in U.S. theatres, this remains the only Millennium Series film to get a solo Blu-ray in the U.S., which was released just last week. The special features are the same as the DVD, but the big draw is that for the first time the original Japanese version is included. It can be viewed on a second disc. This is the one to own. I plan to upgrade to this edition just for the Japanese cut.

Godzilla x Megaguirus

Sony (DVD)

This is essentially the same as Sony’s other 2004 G-film DVDs: widescreen and features dual language tracks. The only special features are a few trailers for other Sony films.

Sony (Blu-ray)

As mentioned in Part 3 of this guide, Megaguirus was released in a two-disc Blu-ray set with Godzilla vs. Destoroyah (which is an odd pairing). My research says the picture and sound are improved from the DVD. Although, the only special features are a pair of trailers. Regardless, this is the one to own.

Godzilla, Mothra, King Ghidorah: Giant Monsters All-Out Attack (or GMK for short)

Sony (DVD)

Despite the insanely long “retro” Japanese title, this was the most-hyped entry in the Millennium Series because it was directed by the famed Shusuke Kaneko (the Heisei Gamera Trilogy). It returns Godzilla to his roots as a malevolent menace and—gasp!—pulls a role reversal by having King Ghidorah be one of the heroes! (That’s equivalent to making the Joker a good guy to fight a villainous Batman.) Personally, I didn’t think it lived up to the hype.

Anyway, the DVD is the same as Sony’s other 2004 G-film DVDs: widescreen presentation, dual language tracks, and a few trailers. Sadly, my research says that the subtitles follow the horrendous dubbing and take liberties from the original Japanese dialogue that seem to disrespect the film.
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Sony (Blu-ray)

Last week, the film received a Blu-ray release in a two-pack with the next film in the series, Godzilla Against Mechagodzilla. Like the DVD, it features widescreen presentation and dual language tracks, but I hear the subtitles are improved (though not perfect). I might consider buying it just for the subtitles. Maybe. Regardless, the only special features are a few trailers. I recommend this edition.

Godzilla Against Mechagodzilla

Sony (DVD)

This one has a silly title because “Against” sounds much better than “Versus,” and filmmakers are now scared of Roman numerals—note the sarcasm. While I do think this film wasted a great concept (Mechagodzilla’s CPU is a cloned Godzilla brain), the DVD is a solid release, and even a step above Sony’s other G-film DVD releases from 2004. Again, it features widescreen presentation and dual language tracks, but this time the subtitles correspond better to the original Japanese dialogue. A few non-Godzilla trailers are thrown in for good measure.

Sony (Blu-Ray)

In a two-disc set with Godzilla, Mothra, King Ghidorah: Giant Monsters All-Out Attack (see above).

Godzilla: Tokyo S.O.S.

The only direct sequel in the Millennium Series (a continuation of the previous film), Sony’s 2004 DVD for this film was an improvement in many areas. Widescreen presentation and dual language tracks return, but the subtitles are, once again, transcriptions of the dubbed dialogue (including an instance where there was added dialogue in the dubbing). However, besides a few trailers for other films (including some other Godzilla releases), it features a 22-minute behind-the-scenes featurette, which showcases the special effects techniques used in the film.

Sony (Blu-ray)

Tokyo S.O.S. was released in a two-disc Blu-ray set with Godzilla: Final Wars just last week. It seems to be the same as the DVD except presented at a higher resolution. Go for this one.

Godzilla: Final Wars

Sony (DVD)

This film celebrates Big G’s 50^th anniversary and was intended to be his grand finale so Toho could once again retire him for a decade (hence Gareth Edwards’ epic reboot). The most Michael Bay-esque of all the G-films, it’s essentially a remake of Destroy All Monsters and even includes a (20-second) battle between Big G and his 1998 wannabe doppelganger. Regardless, it received a by-the-numbers DVD in 2005. There’s a widescreen presentation, dual language tracks, and subtitles that correspond to the Japanese dialogue and not the dubbing. As for special features, it includes numerous trailers for other Sony releases and an 18-minute B-roll showcasing how many of the special effects sequences were created. Unfortunately, it has no music or narration, so it’s kind of boring.

Sony (Blu-ray)

Released in a Blu-ray two-pack with Godzilla: Tokyo S.O.S. (see above).

My guide to collecting Godzilla DVDs and Blu-Rays comes to an end. I hope you found it helpful.

For more detailed reviews of these DVDs, I highly recommend looking them up on Toho Kingdom. You’ll also find reviews for many of Toho’s other genre films.

Be sure to pick up the new reboot on September 16 for Blu-ray to complete your collection!

Film/Television/Broadcast/Radio, Movies/TV, Pop Culture

Godzilla DVD/Blu-Ray Guide: Showa Series, Part 2

September 4, 2014 Nathan Joseph Sitton Marchand

Today I’ll be talking about the second half of the Showa Series of Godzilla films. There are 15 total films, spanning from 1954-1975. The 1950s and 1960s are considered to be the series at its peak. Now Big G faces one of his greatest foes: the ‘70s. Yes, Godzilla’s films were in decline by this point, but you’ll want these DVDs/Blu-rays to complete your collection.

Read Part 1 here.

Time to dive in!

The Showa Series, Part 2 (1969-1975)

All Monsters Attack (aka Godzilla’s Revenge)

Simitar

As I said about Simitar’s other releases in part one, they were worthy efforts at the time, but they don’t hold up. Godzilla’s Revenge is usually listed as the worst of the Japanese Godzilla films, but that’s largely due to the goofy dubbing. That’s the only version of the film on this DVD, though it is in widescreen. The special features are the same as the Simitar DVDs: trailers for other G-films made by Simitar in the style of American B-films in the 1950s, an image gallery, and a trivia game that plays clips from the film. Long out of print and not worth finding unless you’re a hardcore collector.

Sony

A barebones, full-screen DVD most likely produced to make a quick buck. No special features. Don’t bother unless you’re cheap.

Classic Media

As usual, Classic Media gives even the worst G-film the star treatment. Widescreen presentation. Both the Japanese and American versions of the films (although aren’t that dissimilar other than the dubbing and credits). Special features that include a commentary and a biography on director Ishiro Honda. This is the one to own.

Godzilla vs. Hedorah (aka Godzilla vs. the Smog Monster)

Sony

Easily the weirdest Godzilla movie for many reasons (Japanese hippies, cheesy environmental theme song, random animated sequences), not the least of which being this scene. Once available only as an out-of-print VHS from the defunct Orion Home Video, Sony released it on DVD in 2004. It has no special features beyond a few trailers for other Sony films, as usual. It has dual-language tracks, including a new English dub since this is the unedited Japanese version. Unfortunately, the film’s (in)famous theme song, “Save the Earth,” remains in Japanese unlike in the original dub. Still, it’s a solid release.

Kraken Releasing

It you must have a Blu-ray, look no further. The Sony DVD is a little harder to find, but other than the inclusion of the film’s original trailer, this is essentially the same as the former (except the exclusion of the Sony trailers).

Godzilla vs. Gigan (aka Godzilla on Monster Island)

Sony

This is pretty much the same story here as with Sony’s other 2004 Godzilla DVDs, though with a few things worth noting. The subtitles are basically transcripts of the dubbed dialogue as opposed to direct translations of the Japanese dialogue. The other issue is since this is the international version of the film, it doesn’t include the comic book-style speech bubbles that appear over Godzilla’s head when he “talks” to another monster; there’s only garbled noises, making those scenes confusing. They were dubbed—yes, dubbed—in the English language version. (You can watch the scenes with speech bubbles on YouTube, though).

Kraken Releasing

Essentially the same as the Sony DVD (minus the Sony trailers), although my research says the picture quality isn’t quite as good (I own the DVD and not this). Like the other Kraken Releasing Blu-rays, it includes the film’s original trailer. If you want a Blu-ray, buy this.

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Godzilla vs. Megalon

Various Bootlegs

The many bootlegs of these films is one of the main reasons I felt the need to write this guide. Most of them are hack jobs made for quick cash. Godzilla vs. Megalon has the most by far. My understanding is the dubbed version fell into public domain for a while, making it the Night of the Living Dead of the Godzilla franchise. It was released multiple times on VHS by different companies. The DVD era saw several unlicensed releases, all of which are awful. I know because I owned one of them: the Passion Productions DVD (pictured above). The video looks murky at best. The audio is terrible. Heck, I couldn’t select anything on the menus half the time, and I paid around $25 (maybe more) for it on eBay! I regret donating the DVD to a thrift store because that means I might’ve subjected someone else to that garbage. I want to spare you that misery. So, if you find any Megalon DVDs that look like those above, AVOID THEM!

Media Blasters/Tokyo Shock

This, GIGA readers, is the one you want. It took years and a lot of finagling, but Media Blasters finally gave this, arguably the most-watched Godzilla movie, an official release, albeit amid a soap opera. Unfortunately, as I mentioned in part one with Destroy All Monsters, Toho put the kibosh on that release and this one because they didn’t approve the special features. The release was delayed for nearly a year, and even then only a bare-bones DVD was put out. Ironically, some copies containing special features were accidentally printed and released. These go for a pretty penny on Amazon.

This week, the Blu-ray was finally released after months of negotiations with Toho, but it has none of the special features. (Destroy All Monsters is being re-released, too, but also without special features). I’m annoyed. I was looking forward to getting what I expected to be a deluxe Blu-ray. I’d buy one of the leaked “golden-ticket” DVDs, but I don’t have that much money to burn. What the heck, Toho? Why are you being jerks?

(Please wait while nerd rage subsides…)

Anyway, if you don’t own a copy yet, go for the Blu-ray.

Godzilla vs. Mechagodzilla (aka Godzilla vs. the Cosmic Monster, Godzilla vs. the Bionic Monster)

Sony

Remember what I said about Sony’s other 2004 DVDs? Same story here: widescreen presentation, dual language tracks, and a few mostly unrelated trailers. There’s a humorous omission in the subtitles, though. In a scene where a scientist talks about his special pipe, the crazy-sounding metal it’s made of is subtitled, “a???” Either the translator forgot to add it before the disc was released or he didn’t bother to figure out how to write it. Some people—like me—may find this humorous.

Terror of Mechagodzilla

Simitar

The same as the company’s other G-film releases (see All Monsters Attack above), except it isn’t presented in widescreen. It’s long out of print, so forget about it.

Sony

The same unimpressive, bare-bones treatment as the other similar DVDs. Ignore it.

Classic Media

This is arguably Classic Media’s best release next to Gojira/Godzilla, King of the Monsters. It includes the original Japanese version, which is the biggest plus. However, unlike with the other DVDs, the American version in this one is the “extended” cut shown on television. It contains most of the original footage (except for some brief nudity during a medical operation) and a “history of Godzilla” sequence made by editing together footage from several 1960s Godzilla flicks. This was done to pad out the film to fit into a two-hour time slot. Both versions are in widescreen (except for the aforementioned “history of” sequence, but the aspect ratio switches when it’s done). It includes an entertaining commentary and an image gallery, but no other special features, which is the only downside. This is a must-have.

Next Time on the Godzilla DVD Guide:
Toho reboots Godzilla before the Americans do! (Those hipsters).